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The Sleeping Beauty ? The Nutcracker ( Suites) Tchailovsky: Swan Lake, Op.20 (Suite) ®ã¬ì¤Ò´µ°ò¡G¡m¤ÑÃZ´ò¡n¡]²Õ¦±¡^ 01. No.10 Sc?ne (Moderato) (Act 2) 02. No.13d Danse des petits cygnes (Allegro moderato) (Act 2) 03. No.13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxi?me danse de la reine des cygnes (Andante) (Act 2) 04. No.20 Danse hongroise (Cz?rd?s) (Act 3) 05. No.2 Valse (Corps de Ballet) (Act 1) Tchailovsky: The Sleeping Beauty, Op.66 (Suite) ®ã¬ì¤Ò´µ°ò¡G¡mºÎ¬ü¤H¡n(²Õ¦±) 06. Introduction 07. 9. Final (La F?e des lilas para?t) (Act 1) 08. Pas d'action (Act 1) 09. 24. Pas de caract?re (Puss in Boots) (Act 3) 10. 17. Panorama (Andantino) (Act 2) 11. 6. Valse (Act 1) Tchailovsky: The Nutcracker, Op.71 (Suite) ®ã¬ì¤Ò´µ°ò¡G¡m­J®ç§¨¤l¡n¡]²Õ¦±¡^ 12. Overture 13. No. 2 March (Act 1) 14. No. 14c Pas de deux: Variation II (Dance of the Sugar-Plum Fairy) (Act 2) 15. No. 12d Character Dances: Tr?pak (Russian Dance) (Act 2) 16. No. 12b Character Dances: Coffee (Arabian Dance) (Act 2) 17. No. 12c Character Dances: Tea (Chinese Dance) (Act 2) 18. No. 12e Character Dances: Dance of the Reed Pipes (Act 2) 19. No. 13 Waltz of the Flowers (Act 2) - L'Orchestre de la Suisse Romande / Ernest Ansermet (conductor) / ADD 1958 (Op.20/71), 1959 (Op.66) - (ºt«µ¡G·ç¤hù°Ò¼w¼Ö¹Î - «ü´§¡G¦w¶ë¬ü) CD2: Ultimate Ballet - Copp?lia, Acts 1 & 2 Delibes: Copp?lia ¼w§Q¥¬¡G¡m¸¯»_²ú¨È¡n 01. Pr?lude Act 1: ²Ä¤@¹õ¡G 02. No. 1 Valse 03. No. 2 Sc?ne (Swanilda et Frantz) 04. No. 3 Mazurka 05. No. 4 Sc?ne (Pr?paratifs de f?te) 06. No. 5 Ballade de l'?pi 07. No. 6 Th?me slave vari? 08. No. 7a Cz?rd?s (Danse hongroise) 09. No. 7b Sortie 10. No. 8 Final Act 2: ²Ä¤G¹õ¡G 11. Entr'acte - Valse 12. No. 9 Sc?ne (L'atelier de Copp?lius) 13. No. 10 Sc?ne 14. No. 11a Musique des automates 15. No. 11b Sc?ne 16. No. 12 Sc?ne 17. No. 13 Chanson ? boire - Sc?ne 18. No. 14a Sc?ne 19. No. 14b Valse de la poup?e 20. No. 15 Sc?ne 21. No. 16 Bol?ro 22. No. 17 Gigue 23. No. 18 Sc?ne (Final) - Rotterdam Philharmonic Orchestra / David Zinman (conductor) / ADD 1978 - ºt«µ¡G³À¯S¤¦·R¼Ö¼Ö¹Î - «ü´§¡G¬z°Ò CD3: Ultimate Ballet - Copp?lia, Act 3 ? Les Sylphides ? Faust - Delibes: Copp?lia ¼w§Q¥¬¡G¸¯»_²ú¨È Act 3: ²Ä¤T¹õ¡G 01. No. 19 Marche de la cloche 02. No. 20 F?te de la cloche: 1) Valse des heures 03. No. 20 F?te de la cloche: 2) L'aurore 04. No. 20 F?te de la cloche: 3) La pri?re 05. No. 20 F?te de la cloche: 4) Le travail (La fileuse) 06. No. 20 F?te de la cloche: 5) L'hymen (Noce villageoise) 07. No. 20 F?te de la cloche: 6) La discorde et la guerre 08. No. 20 F?te de la cloche: 7a) La paix 09. No. 20 F?te de la cloche: 7b) Danse de f?te 10. No. 20 F?te de la cloche: 8) Galop final Chopin: Les Sylphides (arr. Roy Douglas) ¿½¨¹¡G¥P¤k¡]¤S¦W¡m¿½¨¹»î¡n¡^¡]¹D®æ©Ô ´µ§ï½s¡^ 11. 1. Pr?lude 12. 2. Nocturne 13. 3. Valse 14. 4. Mazurka 15. 5. Mazurka 16. 6. Pr?lude 17. 7. Valse 18. 8. Valse Gounod: Faust, Ballet Music (1869) ¥j¿Õ¡G¯B¤h¼w¡]ªÝÁ¢­µ¼Ö¡^ 19. 1. Les Nubiennes, valse (Allegretto) 20. 2. Adagio 21. 3. Danse antique (Allegretto) 22. 4. Variations de Cl?opatre (Moderato maestoso) 23. 5. Les Troyennes (Moderato con moto) 24. 6. Variations du miroir (Allegretto) 25. 7. Danse de Phryn? (Allegro vivo) 26. Waltz from Act II, Faust (Concert version) §ï½s¦Û¥j¿Õ¡m¯B¤h¼w¡n²Ä¤G¹õªº¶ê »R¦± - Rotterdam Philharmonic Orchestra / David Zinman (conductor) / ADD 1978 ( 01-10), 1980 (11-26) -ºt«µ¡G³À¯S¤¦·R¼Ö¼Ö¹Î - «ü´§¡G¬z°Ò CD4: Ultimate Ballet - Prokofiev: Romeo and Juliet (Highlights) ´¶Ã¹¬ìµá­C¤Ò ¡mù±K¼Ú»P¯üÄR¸­¡n¡]ºë¿ï¤ù¬q¡^ Act 1: ²Ä¤@¹õ¡G 01. 1. Introduction 02. 2. Romeo 03. 3. The street wakens 04. 4. Morning dance 05. 5. The quarrel 06. 6. The fight 07. 7. The duke's command 08. 10. The young Juliet 09. 11. Arrival of the guests 10. 12. Masks 11. 13. Dance of the knights 12. 19. Balcony scene Act 2: ²Ä¤G¹õ¡G 13. 22. Folk dance 14. 28. Romeo at friar Laurence's 15. 24. Dance of the five couples 16. 33. The duel 17. 34. Death of Mercutio 18. 35. Romeo decides to avenge Mercutio 19. Fight Act 3: ²Ä¤T¹õ¡G 20. 37. Introduction 21. 38. Romeo and Juliet 22. 49. Dance of the girls with lilies Act 4: 23. 51. Juliet's funeral 24. 52. Juliet's death - Orchestre Symphonique de Montr?al / Charles Dutoit (conductor) / DDD 1989 - ºt«µ¡G»X¯S§Qº¸¥æÅT¼Ö¹Î - «ü´§¡G­}¹Ï¥Ë CD5: Ultimate Ballet - Stravinsky: The Firebird ? The Rite of Spring ´µ¯S©Ô¤å ´µ°ò¡m¤õ³¾¡n¡B¡m¬K¤§²½¡n The Firebird (L'oiseau de feu) ¡m¤õ³¾¡n 01. Introduction 02. Kashchei's enchanted garden 03. Appearance of the Firebird pursued by Ivan Tsarevich 04. Dance of the Firebird 05. Ivan Tsarevich captures the Firebird 06. Supplication of the Firebird 07. Game of the Princesses with the golden apples 08. Sudden appearance of Ivan Tsarevich 09. Round dance of the Princesses 10. Daybreak 11. Magic carillon, appearance of Kashchei's guardian monsters and capture of Ivan Tsarevich 12. Dance of Kashchei's retinue under the spell of the Firebird 13. Infernal dance of all Kashchei's subject's 14. Lullaby of the Firebird 15. Collapse of Kashchei's palace and dissolution of all enchantments - Reanimation of the petrified prisoners - General rejoicing The Rite of Spring (Le Sacre du Printemps) ¡m¬K¤§²½¡n 16. Part 1: L'Adoration de la Terre 17. Part 2: Le Sacrifice - Detroit Symphony Orchestra / Antal Dor?ti (conductor) / DDD 1982 (01-15), 1981 (16-17) - ºt«µ¡G©³¯S«ß¥æÅT¼Ö¹Î - «ü´§¡G¦·©Ô¸¦ ·¥·¥­P¡G«Âº¸²Ä¿ï¶° Ultimate Verdi, the essential masterpieces (5CD) Ãö©óDECCAªº¡mUltimate¡n¨t¦C¡G DECCA ¡mUltimate¡n¨t¦C¥]¬A¦h®M5CD¤@²Õªº¥DÃD¿ï¶°¡AµÛ­«¦a¤¶²Ð¤F¦U­Ó®É¥Nªº¤j®v­Ì ³Ì¦³¼vÅT¤O¡B³Ì¼s¬°¬y¶Çªº¥j¨å­µ¼Ö§@«~¡A¨ä¤¤¥]¬A¨©¦hªâ¡B¤Ú»®¡B¨v¨¹¡B®ã¥i¤Ò´µ°ò ¡B²ö¤ã¯S¡BµÎ§B¯Sµ¥ªº¥²Å¥¤§§@¡C¦¹¥~¡A¸Ó¨t¦CÁÙ¥H¤£¦PÅéµô§@¬°Ãþ§O¹º¤À¡A¥[¤J¤F¥j ¨å¤p´£µ^¡B¤j´£µ^¡B¿ûµ^¡B¿ûµ^¨ó«µ¦±¡B¥ð¶¢¥j¨å¡B¤Ú¬¥§J¡Bºq¼@µ¥¥DÃD¿ï¶°¡CÁöµM³o ­Ó¨t¦C¤¤¬Y¨Ç¿ï¦±ªº¿ý­µ¦~¥÷¦³¨Ç¤[»·¡A¦ýºtöªÌ¤¤¤£¥F©v®v¯Åªº¤Hª«¡A¬GªY½à»ù­È¤] ¬O»á°ªªº¡C¥þ¨t¦C¥ÑÀô²y¤½¥q¤UÄݪº¼w°êEDCÀ£¤ù¥Í²£¡A«~½èÀu¨}¡A¦Ó«Ê­±³]­p«h²¬ù¦Ó ¤£¥¢¨å¶®¡C¸Ó¨t¦C¤ñ¸û¾A¦Xªì¯A¥j¨å­µ¼ÖªºªB¤ÍªY½à¡B¦¬ÂáA³q¹L³o®M¤Jªù¯ÅªºCD¯à¹ï ¥j¨å­µ¼Ö¦³¤@­Ó°ò¥»ªº¡Bªì¨Bªº»{ª¾©MÁA¸Ñ¡C¦Ó¤w¬O¥j¨å­µ¼Ö·R¦nªÌªº¼Ö¤Í¡A©Î³\¤]¯à ±q¤¤§ä¨ì¤@¨Ç¦Û¤v¥i¯àÁÙ¨S¦³Å¥¹Lªººtöª©¥»¡C ¡i«Âº¸²Ä²¤¶¡j¡G «Âº¸²Ä¡]Giusepe Verdi¡A 1813-1901¡^¬O19¥@¬ö¸q¤j§Qºq¼@´_¿³®É´Á³Ì¨ã¥Nªí©Êªººq¼@ §@¦±®a¡C¥X¨­©ó¤p°Ó¤§®a¡A´¿³ø¦Ò¦ÌÄõ­µ¼Ö¾Ç°|¥¼³Q¿ý¨ú¡A«á®v±q©Ôºû¥§¨È¾Ç²ß§@¦±©M °t¾¹¡C³Ð§@¥H¥Á±Ú¥Á¶¡­µ¼Ö¬°²W·½¡A­Éų¥~°ê¥ý¶i¸gÅç¡A¨ú±o¤FÂ׺Ӫº¦¨ªG¡Cºq¼@¥HÃD §÷ªºªÀ·|©Ê¡A²{¹ê©Ê¡A¤Hª«©MÀô¹Òªº½è¾ë¯u¹ê¡A­µ¼Ö¡AÀ¸¼@ªººò±Kµ²¦X¡AÁn¼Öºq°Ûªº¥D ¾É¦a¦ì©MÅܤÆÂ×´Iªº°Ê¤H±Û«ß¦ÓµÛºÙ¡C¡m¯ùªá¤k¡n¡A¡m§Ë¦Ú¡n¡A¡mªü¨Ì¹F¡n¡A¡m¶ø¶ëù ¡nµ¥¬O¨ä¥Nªí§@¡A¥L§â¸q¤j§Qºq¼@±À¦V¤F¤@­Ó·sªº¾ú¥v°ª®p¡A¬°¥@¬Éºq¼@ÃÀ³N§@¥X¤F³Ç ¥Xªº°^Äm¡C «Âº¸²Ä©ó1813¦~10¤ë10¤é¥X¥Í©ó¸q¤j§Q©¬º¸°¨ªº¶©°ª°Ç¡A¤ñ¦bµÜ¤ñ¿ü¥X¥Íªº¥Ë®æ¯Ç±ß5­Ó ¤ë¡C¥Lªº¤÷¿Ë¬O·í¦a®ÈÀ]ªº¦ÑÁó©MÂø³f°Ó¡C³o¬O¤@­Ó®a¹Ò²M³hªº¹A¥Á®a®x¡C¤÷¿Ë¥´µo¥L ¨ìªþªñ¥¬¶ë¦«¤@­Ó¾c¦K®a¥h¦í¡A¥L¦b¨ºùؾDzߺޭ·µ^¡A¨Ã¦bÂí¤WºÞ©¶¼Ö¹Î¤u§@¡C·í¥L³Q Âí¥Á°e©¹¦ÌÄõ­µ¼Ö¾Ç°|¾Ç²ß®É¡A«o¾D¨ì©Úµ´¡A³Q©Ú­ì¦]¬O¥Lªº·³¼Æ¤Ó¤j¡]¶W¹L¤F14·³¡^ ¡C±q¥¼¨ü¹L°V½m¡A¯Ê¥F­µ¼Ö¤~¯à¡C¥L¦^¨ì¥¬¶ë¦«¡A«á¨Ó¶}©l¼g¥Lªº²Ä¤@³¡ºq¼@¡m³Õ¥§ªk ³ì§BÀï¶ø¨©º¸¦«¡n¡A¸Ó¼@©ó1839¦~¥L26·³®É¦b´µ¥d©Ôºq¼@°|¤Wºt¡A³o³¡ºq¼@¨ú±o¤F¦¨¥\ ¡A¨Ï¥LÀò±o¤F³Ð§@¤T³¡·sºq¼@ªº¦X¬ù¡C1842¦~¡A¦]ºq¼@¡m¨º¥¬¬ì¡nªº¦¨¥\¡A¨Ï¥L¤@ÅD¦Ó ¦¨¬°¸q¤j§Q²Ä¤@¬yªº§@¦±®a¡C·í®Éªº¸q¤j§Q¥¿³B©óÂ\²æ¶ø¦a§Q²Îªvªº­²©R®ö¼é¤§¤¤¡A«Â º¸²Ä¥H¦Û¤vªººq¼@§@«~¡m­Û¤Ú©³¤H¡n¡B¡m¤Ìº¸«n¥§¡n¡B¡mªüº¸ÀÙ©Ô¡n¡B¡m¦C¥§¨È¿Õ¾Ô§Ð ¡nµ¥¥H¤Î¤@¨Ç­²©Rºq¦±¹ªÀy¤H¥Á°_¨Ó°«ª§¡A¦³¡u¸q¤j§Q­²©Rªº­µ¼Ö¤j®v¡v¤§ºÙ¡C ¤Q¤E¥@¬ö¤­¤Q¦~¥N¬O«Âº¸²Ä³Ð§@ªº°ª®p®É´Á¡A¥L¶Ô¾Ä¤£¾Óªº³Ð§@¡A¥ý«á¼g¥X¤F¡m§Ë¦Ú¡n ¡B¡m¹C§u¸Ö¤H¡n¡B¡m¯ùªá¤k¡n¡B¡m°²­±»R·|¡nµ¥¤C³¡ºq¼@¡A³þ©w¤Fºq¼@¤j®vªº¦a¦ì¡C«á À³®J¤ÎÁ`·þ¤§½Ð¡A¬°Ä¬¥ì¤h¹Bªeªº³q¯è¨å§³Ð§@¤F¡mªü¥ì¹F¡n¡C«Âº¸²ÄÃмg¤F¡mªü¥ì¹F ¡n¤§«á16¦~´N¦A¨S¦³¼g¹L¥ô¦óºq¼@¡A±ß¦~¤S®Ú¾Ú²ï¤h¤ñ¨Èªº¼@¥»³Ð§@¤F³Ì«á¨â³¡¾_Åå¡X ¡X´d¼@©Êªº¡m¶ø¶ëù¡n©M³ß¼@©Êªº¡mºÖ´µ¶ð¤Ò¡n¡C «Âº¸²Ä¤@¥Í¦@³Ð§@¤F26³¡ºq¼@¡A¤µ¤Ñºt¥X³Ì¦hªº¥|¤j¦W§@¬O¡m§Ë¦Ú¡n¡B¡m¹C§u¸Ö¤H¡n¡B ¡m¯ùªá¤k¡n©M¡mªü¥ì¹F¡n¡C ¡i±M¿è¦±¥Ø¡j: Ultimate Verdi CD1: La traviata Highlights ¡i¯ùªá¤kºë¿ï¤ù¬q¡j - 01. Prelude «e«µ¦± Act 1. ²Ä¤@¹õ 02. Libiamo ne'lieti calici (Brindisi) (Alfredo, Violetta, all) ºóµÛªá¹¢ªº°ª¸}ªM(¯¬°sºq)(ªüº¸¥±¹p¦h, Á¨¶ø¦C¶ð, ²³¤H) 03. E strano! - Ah, fors'? lui (Violetta) ¦h»òªº©_§®¡I ¡Ð °Ú, ¹Ú¤¤ªº¤H¨à(Á¨¶ø¦C¶ð) 04. Follie! Delirio vano ? questo! - Sempre libera (Violetta, Alfredo) ºÆ¨g¡I³£¬OµL¥ÎªºÃ¨·Q¡I¡K¡K¤Î®É¦æ¼Ö(Á¨¶ø¦C¶ð, ªüº¸¥±¹p¦h) Act 2. ²Ä¤G¹õ 05. Scene 1 - Lunge da lei - De' miei bollenti spiriti (Alfredo) ²Ä¤@³õ - Â÷¶}¤F¦o§Ú¤ß¼~¶Ë - §Ú¦~»´¨g¼öªº¹Ú(ªüº¸¥±¹p¦h) 06. Scene 1 - Pura, siccome un angelo...Un d?, quando le veneri (Germont, Violetta) ²Ä¤@³õ - ¯«½çµ¹§Ú¤Ñ¨Ï¯ë¯Â¼ä¥i·Rªº¤k¨à(³ìªv?ªü¨~, Á¨¶ø¦C¶ð) 07. Scene 1 - Ah! Dite alla giovine (Violetta, Germont) ²Ä¤@³õ - ®@§AÁÙ¦~»´(Á¨¶ø¦C¶ð, ³ìªv?ªü¨~) 08. Scene 1 - Dammi tu forza, o cielo! (Violetta, Annina, Germont) ²Ä¤@³õ - µ¹§Ú¤O¶q,®@¤W¤Ñ°Ú(Á¨¶ø¦C¶ð, ¦w©g®R, ³ìªv?ªü¨~) 09. Scene 1 - Di Provenza il mar, il suol (Germont) ²Ä¤@³õ - §A¬üÄRªº®a(³ìªv?ªü¨~) 10. Scene 2 - Invitato a qui seguirmi (Violetta, Germont, all) ²Ä¤G³õ - §Ú­n¥LÀH§Ú¨Ó(Á¨¶ø¦C¶ð, ³ìªv?ªü¨~, ²³¤H) 11. Scene 2 - Di sprezzo degno se stesso rende (Germont, Alfredo, Flora, Gastone, Doctor, Marchese, chorus, Baron, Violetta) ²Ä¤G³õ - ³o¼Ëªº¦H¦æ½Ö¥iÄÇ®¤(³ìªv?ªü¨~, ªüº¸¥±¹p¦h, ªÜù©Ô, ¥[´µªF, Âå¥Í, «JÀï , ¦X°Û, ¨kÀï, Á¨¶ø¦C¶ð) Act 3. ²Ä¤T¹õ 12. Teneste la promessa - Attendo, n? a me giungon mai - Addio del passato ( Violetta) §A¦uµÛ§Aªº¿Õ¨¥ - µ¥«Ý¥u¬O¯Ó¶O®É¶¡ - ¦A·|¤F, ©õ¤éªº¤p®|(Á¨¶ø¦C¶ð) 13. Parigi, o cara, noi lasceremo (Alfredo, Violetta) Åý§Ú­Ì»·Â÷¤Ú¾¤, §Úªº¼°·R(ªüº¸¥±¹p¦h, Á¨¶ø¦C¶ð) 14. Ah, Violetta!...Se una pudica vergine (Germont, Violetta, Alfredo, Annina, Doctor) °ÚÁ¨¶ø¦C¶ð¡I­Õ­Y¦³¦ì·Å°ûªº²Q¤k(³ìªv?ªü¨~, Á¨¶ø¦C¶ð, ªüº¸¥±¹p¦h, ¦w©g®R, Âå¥Í ) - - Joan Sutherland (Violetta) / Miti Truccato (Flora) / Dora Carral (Annina) / Carlo Bergonzi (Alfredo Germont) / Robert Merrill (Germont pere) / Piero de Palma (Gastone) / Paolo Pedani (Baron Douphol) / Giovanni Foiani (Doctor Grenvi) Orchestra and Chorus of the Maggio Musicale Fiorentino / Sir John Pritchard (conductor) / ADD 1962 ºt­ûªí ¡Ð ÂÄ·æÄõ¡GÁ¨¶ø¦C¶ð »e¸¦?¦¶¥d¦«¡GªÜù©Ô ¦·©Ô?¥d°Çº¸¡G¦w©g®R ¨©º¸©£»ô¡Gªüº¸¥±¹p¦h?ªü¨~ ù§B¯S?±ö·çº¸¡G³ìªv?ªü¨~ ©¬º¸º¿¡G¥[´µªF / «Où?¨Ø¹F¥§¡G§ù¶Oº¸¨kÀï / ³ì¸U¥§?¥±¦w¥§¡GÂå¥Í ¦ñ«µ¤Î¦ñ°Û¡G¦òù­Û´µ¤­¤ë­µ¼Ö¸`¼Ö¹Î¤Î¦X°Û¹Î - «ü´§¡G¬ù¿«?´¶ùجd¼w - - Ultimate Verdi CD2: Rigoletto Highlights ¡i§Ë¦Úºë¿ï¤ù¬q¡j - Act 1. ²Ä¤@¹õ 01. Pari siamo (Rigoletto) §Ú­Ì¬O¦P¹D(§Q¤àµÜ¦«) 02. Figlia! ... Mio padre! (Rigoletto, Gilda) ¤k¨à¡I¡K¡K§Úªºª¨ª¨¡I(§Q¤àµÜ¦«, ¦Nº¸¹F) 03. Deh, non parlare al misero (Rigoletto) ®@¡I§O¦A´£°_¦o¤F(§Q¤àµÜ¦«) 04. Quanto dolor! (Gilda, Rigoletto, Giovanna) 05. Veglia, o donna, questo fior (Giovanna, Gilda, Rigoletto, Duke) 06. Gualtier Mald?...Caro nome (Gilda) ¥Êº¸´£¸­¡I¡K¡K¿Ë·Rªº¦W¦r(¦Nº¸¹F) Act 2. ²Ä¤G¹õ 07. Ella mi fu rapita! (Duke) ¦o¾D¸j¬[¤F¡I(°Ò¹Ï¥Ë¤½Àï) 08. Parmi veder le lagrime (Duke) ²\Åx¤d¦æ(°Ò¹Ï¥Ë¤½Àï) 09. Povero Rigoletto! - La r?, la r? (Marullo, Rigoletto, Borsa, Ceprano, chorus) ¥i¼¦ªº§Q¤àµÜ¦«(°¨¾|¬¥, §Q¤àµÜ¦«, ªiº¸ÂÄ, ¦è¥¬Äõ¿Õ, ¦X°Û) 10. Cortigiani, vil razza dannata (Rigoletto) §¯Å]°­©Çªº¶Q±Ú­Ì(§Q¤àµÜ¦«) 11. Ebben piango (Rigoletto) 12. Mio padre! Dio! Mia Gilda! (Gilda, Rigoletto, Borsa, Marullo, Ceprano, chorus) §Úªºª¨ª¨¡I¤Ñ°Ú¡I§Úªº¦Nº¸¹F(¦Nº¸¹F, §Q¤àµÜ¦«, °¨¾|¬¥, ¦è¥¬Äõ¿Õ, ¦X°Û) 13. Parla... siam soli ... Tutte le feste al tempio (Rigoletto, Gilda) ¦b¨C­Ó§«ô¤Ñ¦­±á(§Q¤àµÜ¦«, ¦Nº¸¹F) 14. Piangi, fanciulla (Rigoletto, Gilda) ­ú§a, §Úªº«Ä¤l(§Q¤àµÜ¦«, ¦Nº¸¹F) 15. Compiuto pur quanto (Rigoletto, Gilda) 16. S?, vendetta (Rigoletto, Gilda) ¬Oªº, ´_¤³(§Q¤àµÜ¦«, ¦Nº¸¹F) Act 3. ²Ä¤T¹õ 17. E l'ami (Rigoletto, Gilda, Duke, Sparafucile) §A¤´µM·R¥L(§Q¤àµÜ¦«, ¦Nº¸¹F, °Ò¹Ï¥Ë¤½Àï, ´µ©¬©Ô¤Ò©_§Q) 18. La donna ? mobile (Duke) µ½Åܪº¤k¤H(°Ò¹Ï¥Ë¤½Àï) 19. Un d?, se ben rammentomi (Duke, Gilda, Maddalena, Rigoletto) ¨º¤@¤Ñ, ¦Û±q¹J¨ì§A(°Ò¹Ï¥Ë¤½Àï, ¦Nº¸¹F, º¿¹FµÜ®R, §Q¤àµÜ¦«) 20. Bella figlia dell'amore (Duke, Maddalena, Gilda, Rigoletto) ¥@¶¡¬üÄRªº¤Ö¤k(°Ò¹Ï¥Ë¤½Àï, º¿¹FµÜ®R, ¦Nº¸¹F, §Q¤àµÜ¦«) 21. Chi ? maii, chi e qui in sua vece? (Rigoletto) ½Ö¬O´À¸o¦Ï¡H(§Q¤àµÜ¦«) 22. V'ho ingannato ... Lass?... in cielo" (Gilda, Rigoletto) ¦b¤Ñ°óùØ(¦Nº¸¹F, §Q¤àµÜ¦«) - - Renato Bruson (Rigoletto) / Edita Gruberova (Gilda) / Neil Shicoff (The Duke of Mantua) / Robert Lloyd (Sparafucile) / Brigitte Fassbaender ( Maddalena) / Kurt Rydl (Monterone) / Jean Rigby (Giovanna) / Armando Gabba ( Marullo) / William Matteuzzi (Borsa) / Geoffrey Moses (Ceprano & the doorman) - Chorus and Orchestra of the Accademia di Santa Cecilia, Rome / Norbet Balatsch (chorus master) / Guido Guida (conductor's assistant) / Giuseppe Sinopoli (conductor) / DDD 1984 ¥¬¾|»¹¡G§Q¤àµÜ¦« / ®æ¾|¨©Ã¹«½¡G¦Nº¸¹F / §Æ¬_¤Ò¡G°Ò¹Ï¥Ë¤½Àï / ù§B¯S?³Ò®J¼w¡G ´µ©¬©Ô¤Ò©_§Q / ªkµ·»«¼w¡Gº¿¹FµÜ®R / ¬ì¯S?§Q¼w¡G»X¯SÀs / ¬Ã?·ç®æÍ¶¡G¦Nº¸¥Ë®R / ªüº¸°Ò¦h?»\¤Ú¡G°¨¾|¬¥ / «Â·G?°¨¹Ï¯÷¡Gªiº¸ÂÄ / ³Ç¦ò·ç?¼¯¦è´µ¡G¦è¥¬Äõ¿Õ­Ýªù¤H ù°¨¸t«´¦èùبȦX°Û¹Î¤Î¼Ö¹Î - «ü´§¡G¦è¿Õªi¸Ì - - Ultimate Verdi CD3: Il trovatore Highlights ¡i¹C§u¸Ö¤Hºë¿ï¤ù¬q¡j - - Part 2. ²Ä¤G¹õ 01. Vedi! Le fosche notturne spoglie (Anvil Chorus) (Chorus of gypsies) ¬Ý§a¡I©]¹õ¤w´¦¶}(²³¦N´¶ÁɤH¦X°Û) 02. Stride la vampa! (Azucena) ºµºµ¯P¤õ(ªü¯]©_®R) Part 1. ²Ä¤@¹õ 03. Che pi? t'arresti? - Tacea la notte - Di tale amor (Leonora, Ines) ¤@­Ó¹çÀRªº©]±ß - ¦¹¤ß¤£¯à¨¥ªí(µÜ¶ø¿Õ©Ô, ¥ì©`µ·) Part 2. ²Ä¤G¹õ 04. Tutto ? deserto ... Il balen del suo sorriso (Count di Luna, Ferrando) §A·L¯º®É©_§®ªº¥ú½÷(¾|¯Ç¤½Àï, ¶OÄõ¦h) 05. E deggio e posso crederlo (Leonora, Count, Manrico, Ruiz, Ines, Ferrando, chorus) ªY³ß­Y¨g, ´X¥G¤£¬Û«H¦oªº²´·ú(µÜ¶ø¿Õ©Ô, ¾|¯Ç¤½Àï, °Ò§Q¬ì, ¸ô©ö¯÷, ¥ì©`µ·, ¶OÄõ ¦h, ¦X°Û) Part 3. ²Ä¤T¹õ 06. Squilli, echeggi la tromba guerriera (Chorus of soldiers) §jÅT¸¹¨¤(²³¤h§L¦X°Û) 07. Quale d'armi ... Ah s?, ben mio (Leonora, Manrico) °Ú¿Ë·RªºÅʤH(µÜ¶ø¿Õ©Ô, °Ò§Q¬ì) 08. L'onda de'suoni mistici ... Di quella pira (Leonora, Manrico, Ruiz) ¬Ý¨ººµºµªº¤õ¬W(µÜ¶ø¿Õ©Ô, °Ò§Q¬ì, ¸ô©ö¯÷) 09. Timor di me ... D'amor sull'ali rosee (Leonora) ·R±¡­¼µÛª´ºÀªº¯Í»H(µÜ¶ø¿Õ©Ô) Part 4. ²Ä¥|¹õ 10. Miserere (Leonora, Manrico, chorus) ¨D¥D««¼¦(µÜ¶ø¿Õ©Ô, °Ò§Q¬ì, ¦X°Û) 11. Madre, non dormi? (Manrico, Azucena) ¥À¿Ë§A¨S¤JºÎ¶Ü¡H(°Ò§Q¬ì, ªü¯]©_®R) 12. Un giorno (Azucena, Manrico) ¦³¤@¤Ñ(ªü¯]©_®R, °Ò§Q¬ì) 13. S?; la stanchezza m'opprime (Azucena, Manrico) ¬Oªº, §Úªº«Ä¤l, §Ú¤w¸g¯h¾Î¤£³ô(ªü¯]©_®R, °Ò§Q¬ì) 14. Che ... non m'inganna quel fioco lume ... (Manrico, Leonora, Azucena) 15. Ti scosta (Manrico, Leonora, Azucena, Count di Luna) §AÂ÷¶}§a¡I(°Ò§Q¬ì, µÜ¶ø¿Õ©Ô, ªü¯]©_®R, ¾|¯Ç¤½Àï) - - Katia Ricciarelli (Leonora) / Jose Carreras (Manrico) / Yuri Masurok (Count di Luna) / Stefania Toczyska (Azucena) / Phyllis Cannan (Ines) / Robin Leggate (Ruiz) / Robert Lloyd (Ferrando) Orchestra & Chorus of the Royal Opera House, Covent Garden / John Barker ( chorus master) / Sir Colin Davis (conductor) / DDD 1980 ùØ«êÁ¢ÄR¡GµÜ¶ø¿Õ©Ô / ¥d¹p©Ô´µ¡G°Ò§Q¬ì / ¤×ùØ?°¨Ä¬Ã¹§J¡G¾|¯Ç¤½Àï / ´µ¸¦ªâ¥§¨È ?¦«³Ç´µ¥d¡Gªü¯]©_®R / µáÄRµ·?§¢«n¡G¥ì©`µ· / ù»«?¾ä¤à´£¡G¸ô©ö¯÷ / ù§B¯S?³Ò®J ¼w¡G¶OÄõ¦h ¬Ó®a¬ì¤å¯Sªá¶éºq¼@°|¼Ö¹Î¤Î¦X°Û¹Î - «ü´§¡G¬ìªL?¤j½Ã´µ - - Ultimate Verdi CD4: Aida Highlights ¡iªü¥ì¹Fºë¿ï¤ù¬q¡j - Act 1. ²Ä¤@¹õ 01. Se quel querrier io fossi! ... Celeste Aida (Radam?s) ¦ýÄ@§Ú·|³Q¿ï¤¤¡K¡K¸t¼äªü¥ì¹F(©Ô¹F±ö´µ) 02. Or di Vulcano al tempio (The King, Ramfis, Aida, Radam?s, Amneris, chorus of ministers and captains, chorus of priests) ¤õ¯«ªº¯«·µ(°ê¤ý, Äõµá´µ, ©Ô¹F±ö´µ, ªü©i¤ºÄRµ·, ¤j¦Ú¤Î­x©x¦X°Û, ²³¨k²½¥q¦X°Û) 03. Ritorna vincitor! (Aida) ³Í±ÛÂk¨Ó(ªü¥ì¹F) Act 2. ²Ä¤G¹õ 04. Gloria all'Egitto (Chorus of the people, Ramfis, chorus of priests) ºaÄ£Âk©ó®J¤Î(²³¤H¦X°Û, Äõµá´µ, ²³¨k²½¥q¦X°Û) 05. Grand March & Ballet ¤j¶i¦æ¦± 06. Vieni, o guerriero vindice (Chorus of the people, Ramfis, chorus of priests) Åw©Iªï±µ³Í±Û­x(²³¤H¦X°Û, Äõµá´µ, ²³¨k²½¥q¦X°Û) Act 3. ²Ä¤T¹õ 07. Qui Radam?s verr?! ... O patria mia (Aida) ®@§Úªº¬G¶m(ªü¥ì¹F) 08. Ciel! mio padre! (Aida, Amonasro) ¤Ñ¡I§Úªºª¨ª¨(ªü¥ì¹F, ªü²ö¯Ç´µÃ¹) Act 4. ²Ä¥|¹õ 09. Gi? i sacerdoti adunansi (Amneris, Radam?s) ²½¥q­Ì¤w¸g·Ç³Æ¦n(ªü©i¤ºÄRµ·, ©Ô¹F±ö´µ) 10. Ohim?!...morir mi sento! Oh! chi lo salva? (Amneris, Ramfis, chorus of priests) «u§r¡I§Úı±o§Ú§Ö¦º¤F¡I½Ö¯à±Ï¥L©O¡H(ªü©i¤ºÄRµ·, Äõµá´µ, ²³¨k²½¥q¦X°Û) 11. Radam?s! Radam?s! Radam?s! (Ramfis, chorus of priests, Amneris) ©Ô¹F±ö´µ¡I©Ô¹F±ö´µ¡I©Ô¹F±ö´µ¡I(Äõµá´µ, ²³¨k²½¥q¦X°Û, ªü©i¤ºÄRµ·) 12. Presago il core della tua condanna (Aida, Radam?s, chorus of priests and priestesses) §Ú¤ßùؤw¹wª¾§A­nµoÃø(ªü¥ì¹F, ©Ô¹F±ö´µ, ²³¨k¤k²½¥q¦X°Û) 13. O terra, addio (Aida, Radam?s, chorus of priests and priestesses, Amneris) ¨þ¤j¦a, ¦A¨£, ³o²\¤§¨¦(ªü¥ì¹F, ©Ô¹F±ö´µ, ²³¨k¤k²½¥q¦X°Û, ªü©i¤ºÄRµ·) - - Plinio Clabassi (The King) / Rita Gorr (Amneris) / Leontyne Price (Aida) / Jon Vickers (Radam?s) / Giorgio Tozzi (Ramfis) / Robert Merrill (Amonasro) Orchestra and Chorus of the Teatro dell'Opera, Rome / Giuseppe Conca ( chorus master) / Luigi Ricci, Ugo catania, Fernando Cavaniglia (assistant conductor) / Sir Georg Solti (conductor) / ADD 1961 §J©Ô¤Ú§Æ¡G°ê¤ý / ¤àº¸¡Gªü©i¤ºÄRµ· / ´¶¿à´µ¡Gªü¥ì¹F / ºû§J´µ¡G©Ô¹F±ö´µ / ¦«»ô ¡GÄõµá´µ / ±ö·çº¸¡Gªü²ö¯Ç´µÃ¹ ù°¨ºq¼@°|¼Ö¹Î¤Î¦X°Û¹Î - «ü´§¡G¯Áº¸¸¦ - - Ultimate Verdi CD5: La forza del destino Highlights ¡i©R¹Bªº¤O¶qºë¿ï¤ù¬q¡j - 01. Overture §Ç¦± Act 2. ²Ä¤G¹õ 02. Son giunta! ... Madre, Madre, pietosa Vergine (Leonora, chorus) ¤¯·Oªº¸t¥À(µÜ¶ø¿Õ©Ô, ¦X°Û) 03. Il santo nome di Dio Signore ... La Vergine degli angeli (Padre guardiano, Fra Melitone, Leonora, chorus) ¦b¤Ñ¨Ï¸s¤¤ªº¸t¥Àµ£­s¤k¨þ(¥Ê¸¦¨È¿Õ°|ªø, ±ö§Q¦«©`­×¤h, µÜ¶ø¿Õ©Ô, ¦X°Û) Act 3. ²Ä¤T¹õ 04. La vita ? inferno ... Oh, tu che in seno agl'angelii (Alvaro) ¥Í¬¡©M¦aº» - ¤Ñ¨Ï¯ëªºµÜ¶ø¿Õ©Ô(­ð?ªü¥Ëù) 05. Solenne in quest'ora (Alvaro, Carlo) ³Ì«áªº«ô°U(­ð?ªü¥Ëù, ­ð?¥d¬¥) 06. Urna fatale del mio destino (Carlo, a surgeon) ³oùئ³§Úªº©R¹B(­ð?¥d¬¥, ­xÂå) 07. Rataplan, rataplan, rataplan! (Preziosilla, chorus) ©Ô¶ð´¶Äõ¤§ºq(´¶µÜ©_¶ø¦è©Ô, ¦X°Û) Act 4. ²Ä¥|¹õ 08. Fratello ... Le minaccie, i fieri accenti (Alvaro, Carlo) ¥S§Ì¡K¡K®£À~§a, ¿E¯Pªº¨¥µü(­ð?ªü¥Ëù, ­ð?¥d¬¥) 09. Pace, pace mio Dio! (Leonora) ¥D°Ú, ½Ð½ç©M¥­(µÜ¶ø¿Õ©Ô) 10. Non imprecare (Padre guardiano, Leonora, Alvaro) ¤£¥i¶A©G(¥Ê¸¦¨È¿Õ°|ªø, µÜ¶ø¿Õ©Ô, ­ð?ªü¥Ëù) - - Renata Tebaldi (Donna Leonora) / Mario del Monaco (Don Alvaro) / Ettore Bastianini (Don Carlo di Vargas) / Giulietta Simionato (Preziosilla) / Cesare Siepi (Padre guardiano) / Fernando Corena (Fra Melitone) / Eraldo Coda (A surgeon) Orchestra and Chorus of the Accademia di Santa Cecilia, Rome / Bonaventura Somma (chorus master) / Francesco Molinari-Pradelli (conductor) / ADD 1955 ­a¤Úº¸­}¡GµÜ¶ø¿Õ©Ô / ²ö¯Ç¬ì¡G­ð?ªü¥Ëù / ¤Ú´µ¸¦¦w¥§¥§¡G­ð?¥d¬¥ / ¦è¦Ì¶ø¯Ç¦h¡G ´¶µÜ©_¶ø¦è©Ô / ¿ü®J¥Ö¡G¥Ê¸¦¨È¿Õ°|ªø / ¶Oº¸«n¦h?¬ìµÜ¯Ç¡G±ö§Q¦«©`­×¤h / ¥ì©Ôº¸ ¦h?¬ì¹F¡G­xÂå ù°¨¸t«´¦èùبȼֹΦX°Û¹Î - «ü´§¡G´¶©Ô¥NùØ ·¥­P¡G®ã¬ì¤Ò´µ°ò¿ï¶° Ultimate Tchaikovsky, the essential masterpieces (5CD) Ãö©óDECCAªº¡mUltimate¡n¨t¦C¡G DECCA ¡mUltimate¡n¨t¦C¥]¬A¦h®M5CD¤@²Õªº¥DÃD¿ï¶°¡AµÛ­«¦a¤¶²Ð¤F¦U­Ó®É¥Nªº¤j®v­Ì ³Ì¦³¼vÅT¤O¡B³Ì¼s¬°¬y¶Çªº¥j¨å­µ¼Ö§@«~¡A¨ä¤¤¥]¬A¨©¦hªâ¡B¤Ú»®¡B¨v¨¹¡B®ã¥i¤Ò´µ°ò ¡B²ö¤ã¯S¡BµÎ§B¯Sµ¥ªº¥²Å¥¤§§@¡C¦¹¥~¡A¸Ó¨t¦CÁÙ¥H¤£¦PÅéµô§@¬°Ãþ§O¹º¤À¡A¥[¤J¤F¥j ¨å¤p´£µ^¡B¤j´£µ^¡B¿ûµ^¡B¿ûµ^¨ó«µ¦±¡B¥ð¶¢¥j¨å¡B¤Ú¬¥§J¡Bºq¼@µ¥¥DÃD¿ï¶°¡CÁöµM³o ­Ó¨t¦C¤¤¬Y¨Ç¿ï¦±ªº¿ý­µ¦~¥÷¦³¨Ç¤[»·¡A¦ýºtöªÌ¤¤¤£¥F©v®v¯Åªº¤Hª«¡A¬GªY½à»ù­È¤] ¬O»á°ªªº¡C¥þ¨t¦C¥ÑÀô²y¤½¥q¤UÄݪº¼w°êEDCÀ£¤ù¥Í²£¡A«~½èÀu¨}¡A¦Ó«Ê­±³]­p«h²¬ù¦Ó ¤£¥¢¨å¶®¡C¸Ó¨t¦C¤ñ¸û¾A¦Xªì¯A¥j¨å­µ¼ÖªºªB¤ÍªY½à¡B¦¬ÂáA³q¹L³o®M¤Jªù¯ÅªºCD¯à¹ï ¥j¨å­µ¼Ö¦³¤@­Ó°ò¥»ªº¡Bªì¨Bªº»{ª¾©MÁA¸Ñ¡C¦Ó¤w¬O¥j¨å­µ¼Ö·R¦nªÌªº¼Ö¤Í¡A©Î³\¤]¯à ±q¤¤§ä¨ì¤@¨Ç¦Û¤v¥i¯àÁÙ¨S¦³Å¥¹Lªººtöª©¥»¡C ¡i®ã¬ì¤Ò´µ°ò²¤¶¡j¡G ©¼±o?¥ìùØ©_?®ã¬ì¤Ò´µ°ò¡]Peter Ilitch Tchaikovsky¡A1840-1893¡^¡A«Xù´µ¾ú¥v¤W³Ì °¶¤jªº§@¦±®a¡A«Xù´µ¥Á±Ú­µ¼Ö»P¦è¼Ú¥j¨å­µ¼Öªº¶°¤j¦¨ªÌ¡C¤Q·³¶}©l¾Ç²ß¿ûµ^©M§@¦± ¡C1862¦~¤J©¼±o³ù­µ¼Ö¾Ç°|¾Ç²ß§@¦±¡A²¦·~«á­u²ö´µ¬ì­µ¼Ö¾Ç°|¥ô±Ð¡C¥Lªº­µ¼Ö°ò½Õ«Ø ¥ß¦b¥Áºq©M¥Á¶¡»RÁЪº°ò¦¤W¡A©Ò¥H¼Ö¦±¤¤§e²{¥X¿@¯Pªº¥Í¬¡®ð®§©M¥Á¶¡¯S¦â¡A¥LºD©ó ±Ä¥Î°_¥ñªº¬Û¹ï¥DÃD¡A§Q¥Î­µ¼Ö§Î¶H¨Óªí²{¥Í¬¡¤¤¦UºØ¤ß²z©M·P±¡ª¬ºAªºµo®i©MºtÅܹL µ{¡C±j¯Pªº¥Á±Ú·NÃÑ©M¥Á¥Dºë¯«³e¬ïµÛ¥L¥þ³¡ªº³Ð§@¬¡°Ê¡A¥L¥D±i­µ¼Öªº¬ü¡A¬O«Ø¥ß¦b ¯u¹êªº¥Í¬¡©M²`¨èªº«ä·Q°ò¦¤Wªº¡A¦]¦¹¥Lªº§@«~¤@¦V¥H±Û«ßÀu¬ü¡A³q«U©öÀ´¦ÓµÛºÙ¡A ¤S¤£¥F²`¨è©Ê¡A¥Lªº­µ¼Ö¬OªÀ·|ªº¯u¹ê¼g·Ó¡C³z¹L¥LªºÃÀ³N¬Ã«~¡A¤H­Ì¤£Ãøµo²{¥L¤£¶È ¬O²{¹ê¥D¸q©M®öº©¥D¸qµ²¦Xªº¨å½d¡A¦Ó¥B¬O¤@¦ì¤¸¾Õªø¥H­µ¼Ö´yø¤ß²z¬¡°Êªº¤j®v¡A±´ ¯ÁµÛ¤H¥Íªº¶ø¯µ¡C ¥Lªº§@«~¤¤¡A«Ü¦h³£¬O·¥¨äÀu¨qªº¥@¬É¦W¦±¡A¦pºq¼@¡m¸­¨j®Ú¥§?¶ø¯Iª÷¡n¡B¡m¶Â®ç¬Ó¦Z ¡nµ¥¡AªÝÁ¢»R¼@¡m¤ÑÃZ´ò¡n¡B¡m­J®ç§¨¤l¡n¡B¡mºÎ¬ü¤H¡n¡A©M¥æÅT¦±¡m²Ä¥|¥æÅT¦±¡n¡B ¡m²Ä¤­¥æÅT¦±¡n¡B¡m´d·[¡]²Ä¤»¡^¥æÅT¦±¡n¡B¡m­°B¤p½Õ²Ä¤@¿ûµ^¨ó«µ¦±¡n¡B¡mD¤j½Õ¤p ´£µ^¨ó«µ¦±¡n¡A¥H¤Î¥æÅT¸Ö¡mù±K¼Ú»P¯üÄR¸­¡n¡A­µ¼Ö·|§Ç¦±¡m1812§Ç¦±¡nµ¥µ¥¡C ±M¿è¦±¥Ø: CD1: Piano Concerto No.1 ? Violin Concerto ¡i¿ûµ^¨ó«µ¦±¤Î¤p´£µ^¨ó«µ¦±¡j ¡Ð Piano Concerto No.1 in B flat minor, Op.23 ¡y²Ä¤@¿ûµ^¨ó«µ¦±, ­°B¤p½Õ, Op.23¡z 01. i. Allegro non troppo e molto maestoso - Allegro con spirito 02. ii. Andantino semplice 03. iii. Allegro con fuoco ¡Ð Rafael Orozco (piano) / Rotterdam Philharmonic Orchestra / Edo de Waart ( conductor) / ADD: 1974 ¿ûµ^ºt«µ¡G¶ø¬¥´µ¬ì / ³À¯S¤¦·R¼Ö¼Ö¹Î / «ü´§¡G­}µØ¯S - Violin Concerto in D major, Op.35 ¡y¤p´£µ^¨ó«µ¦±, D¤j½Õ, Op.35¡z 04. i. Allegro moderato 05. ii. Canzonetta: Andante 06. iii. Finale: Allegro vivacissimo ¡Ð Henryk Szeryng (violin) / Royal Concertgebouw Orchestra / Bernard Haitink (conductor) / ADD: 1976 ¤p´£µ^ºt«µ¡GÁÂÀM / ªü©i´µ¯S¤¦¬Ó®a­µ¼ÖÆUºÞ©¶¼Ö¹Î / «ü´§¡G®ü§Ê§J - - CD2: 1812 Overture ? Serenade for Strings ? Voyevoda ? Romeo and Juliet ¡i1812§Ç¦±, ©¶¼Ö¤p©]¦±, ¥q¥O©x, ù±K¼Ú»P¯üÄR¸­¡j 01. Ouverture solennelle "1812," Op.49 ¡y1812¼y¨å§Ç¦±, Op.49(¦X°Ûª©)¡z (Choral version edited by Andrew Cornall) ¡Ð Leningrad Military Orchestra, Nikolai Ushapovsky (conductor) / St Petersburg Chamber Choir, Alexander Kazimirov (director), Nikolai Korniev ( conductor) / Bells & Cannon: the Peter and Paul Fortress in St Petersburg / Shots fired by an artillery battery of the Leningrad Military District ¦C¹ç®æ°Ç­x¼Ö¹Î «ü´§¡G¯Q¨Fªy¤Ò´µ°ò / ¸t©¼¼w³ù«Ç¤º¦X°Û¹Î »â°Û¡G¥d¤°¦Ì¬¥¤Ò «ü´§ ¡G¬ì¥§­C¤Ò ÄÁ¤Î¤j¬¶¥Ñ¸t©¼¼w³ù¥«©¼±o«Où­n¶ë´£¨Ñ / ¤õ¬¶¿U©ñ¡G¦C¹ç®æ°Ç­x°Ï¬¶§L¬Y³¡ - Serenade for Strings in C, Op.48 ¡y©¶¼Ö¤p©]¦±, C¤j½Õ, Op.48¡z 02. i. Pezzo in forma di sonatina 03. ii. Waltz 04. iii. El?gie: Larghetto elegiaco 05. iv. Finale (Tema russo) - 06. Voyevoda, Op.78 - ¡y¥q¥O©x, Op.78¡z - 07. Romeo and Juliet - Fantasy Overture ¡yù±K¼Ú»P¯üÄR¸­¡z(¤Û·Q§Ç¦±) - ¡Ð St Petersburg Philharmonic Orchestra / Vladimir Ashkenazy (conductor) / DDD: 1996 ¸t©¼¼w³ù·R¼ÖºÞ©¶¼Ö¹Î / «ü´§¡Gªü¤°ªÖ¯ÇÀÙ - - CD3: Ballet Suite Highlights ¡i»R¼@ºëµØ¡j - Swan Lake, Op.20 ¡m¤ÑÃZ´ò¡n 01. Sc?ne (Moderato) (Act 2: No.10) ¡y²Ä¤G¹õ¡G±¡´º¡z 02. Valse (Corps de Ballet) (Act 1: No.2) ¡y²Ä¤@¹õ¡G¶ê»R¦±¡z 03. Danse des petits cygnes (Allegro moderato) (Act 2: from No.13) ¡y²Ä¤G¹õ¡G ¤p¤ÑÃZ¤§»R¡z 04. Pas d'action - Tempo di valse (Act 2: from No.13) ¡y²Ä¤G¹õ¡G¤ÑÃZ¸s»R ¡Ð ¶ê»R¦±³t«×¡z 05. Danse hongroise (Cz?rd?s) (Act 3: No.20) ¡y²Ä¤T¹õ¡G¦I¤ú§Q»R¦±¡z 06. Sc?ne finale (Andante) (Act 4: from No.29) ¡y²Ä¥|¹õ¡G±¡´º²×¦±¡z ¡Ð Chantal Juillet (violin) / Guy Fouquet (cello) - The Nutcracker, Op.71 ¡m­J®ç§¨¤l¡n 07. Miniature Overture ¡y§Ç¦±¡z 08. Marche (Act 1, Scene 1: No.2) ¡y²Ä¤@¹õ²Ä¤@³õ¡G¶i¦æ¦±¡z 09. Dance of the Sugar Plum Fairy (Act 2: No.14, Var.2) ¡y²Ä¤G¹õ¡G¿}ªG¥P¤l¤§ »R¡z 10. Character Dances: Tr?pak (Russian Dance) (Act2: from No.12) ¡y´¡»R¡G¯S¹p ¤Ú§J¤§»R(«Xù´µ»R¦±)¡z 11. Character Dances: Coffee (Arabian Dance) (Act 2: from No.12) ¡y´¡»R¡G©@°Ø (ªü©Ô§B»R¦±)¡z 12. Character Dances: Tea (Chinese Dance) (Act 2: from No.12) ¡y´¡»R¡G¯ù(¤¤°ê »R¦±)¡z 13. Dance of the Mirlitons (Act 2: from No.12) ¡yĪ²Ã»R¦±¡z 14. Waltz of the Flowers (Act 2: No.12) ¡y²Ä¤G¹õ¡Gªá¤§¶ê»R¦±¡z - The Sleeping Beauty, Op.66 ¡mºÎ¬ü¤H¡n 15. Introduction (Prologue) ¡y¤Þ¤l(§Ç«µ)¡z 16. Pas de quatre (Act 3: No.23) ¡yªø¹u¿ß»P¥Õ¿ß¤§»R¡z 17. Pas de caract?re - Cendrillon et le prince Fortune (Act 3: No.26) ¡y¤p¬õ ´Uªº»RÁÐ ¡Ð ¦Ç©h®Q»P¤ý¤l¤§»R¡z 18. Pas de quatre: Adagio (Act 3: from No.25) ¡y¥|¤H»R¡z 19. Pas de deux: Adagio (Act 3: from No.28) ¡yÂĩԨ¹¼w»R¦±¡z 20. Finale: Allegro brillante (Mazurka) (Act 3: from No.30) ¡y²×¦±(º¿¯ª¥d»R¦± )¡z 21. Finale: Apoth?ose (Andante molto maestoso) (Act 3: from No.30) ¡y²×¦±¡G¤j ¹Î¶ê¡z - ¡Ð Orchestre Symphonique de Montr?al / Charles Dutoit (conductor) / DDD: 1991 (Op.20), 1992 (Op.71, Op.66) »X¯S§Qº¸¥æÅT¼Ö¹Î / «ü´§¡G­}¹Ï¥Ë - - CD4: Symphony No.5 ? The Storm ¡i²Ä¤­¥æÅT¦±, ¼É­·«B§Ç¦±¡j - Symphony No.5 in E minor, Op.64 ¡y²Ä¤­¥æÅT¦±, E¤p½Õ, Op.64¡z 01. I. Andante - Allegro con anima 02. II. Andante cantabile, con alcuna licenza - Moderato con anima 03. III. Valse: Allegro moderato 04. IV. Finale: Andante maestoso - Allegro vivace - 05. Overture The Storm, Op.76 ¡y¼É­·«B§Ç¦±, Op.76¡z - ¡Ð Royal Concertgebouw Orchestra / Bernard Haintink (conductor) / ADD: 1974 (01-04), 1977 (05) ªü©i´µ¯S¤¦¬Ó®a­µ¼ÖÆUºÞ©¶¼Ö¹Î / «ü´§¡G®ü§Ê§J - - CD5: Symphony No.6 "Path?tique" ? Francesca da Rimini ¡i²Ä¤»¥æÅT¦±(´d·[), ùئ̥§ªº¥±Äõ¤Á´µ¥d¡j - Symphony No.6 in B minor, Op.74 - "Path?tique" ¡y²Ä¤»¥æÅT¦±(´d·[), B¤p½Õ, Op.74¡z 01. i. Adagio - Allegro non troppo 02. ii. Andante con grazia 03. iii. Allegro molto vivace 04. iv. Finale: Adagio lamentoso - 05. Francesca da Rimini, Op.32 ¡yùئ̥§ªº¥±Äõ¤Á´µ¥d, Op.32¡z - ¡Ð Orchestre Symphonique de Montr?al / Charles Dutoit (conductor) / DDD: 1988 (05), 1990 (01-04) »X¯S§Qº¸¥æÅT¼Ö¹Î / «ü´§¡G­}¹Ï¥Ë ¤Ú«¢¿ï¶° Ultimate Bach, the essential masterpieces (5CD) Ãö©óDECCAªº¡mUltimate¡n¨t¦C¡G DECCA ¡mUltimate¡n¨t¦C¥]¬A¦h®M5CD¤@²Õªº¥DÃD¿ï¶°¡AµÛ­«¦a¤¶²Ð¤F¦U­Ó®É¥Nªº¤j®v­Ì ³Ì¦³¼vÅT¤O¡B³Ì¼s¬°¬y¶Çªº¥j¨å­µ¼Ö§@«~¡A¨ä¤¤¥]¬A¨©¦hªâ¡B¤Ú«¢¡B¨v¨¹¡B®ã¥i¤Ò´µ°ò ¡B²ö¤ã¯S¡BµÎ§B¯Sµ¥ªº¥²Å¥¤§§@¡C¦¹¥~¡A¸Ó¨t¦CÁÙ¥H¤£¦PÅéµô§@¬°Ãþ§O¹º¤À¡A¥[¤J¤F¥j ¨å¤p´£µ^¡B¤j´£µ^¡B¿ûµ^¡B¿ûµ^¨ó«µ¦±¡B¥ð¶¢¥j¨å¡B¤Ú¬¥§J¡Bºq¼@µ¥¥DÃD¿ï¶°¡CÁöµM³o ­Ó¨t¦C¤¤¬Y¨Ç¿ï¦±ªº¿ý­µ¦~¥÷¦³¨Ç¤[»·¡A¦ýºtöªÌ¤¤¤£¥F©v®v¯Åªº¤Hª«¡A¬GªY½à»ù­È¤] ¬O»á°ªªº¡C¥þ¨t¦C¥ÑÀô²y¤½¥q¤UÄݪº¼w°êEDCÀ£¤ù¥Í²£¡A«~½èÀu¨}¡A¦Ó«Ê­±³]­p«h²¬ù¦Ó ¤£¥¢¨å¶®¡C¸Ó¨t¦C¤ñ¸û¾A¦Xªì¯A¥j¨å­µ¼ÖªºªB¤ÍªY½à¡B¦¬ÂáA³q¹L³o®M¤Jªù¯ÅªºCD¯à¹ï ¥j¨å­µ¼Ö¦³¤@­Ó°ò¥»ªº¡Bªì¨Bªº»{ª¾©MÁA¸Ñ¡C¦Ó¤w¬O¥j¨å­µ¼Ö·R¦nªÌªº¼Ö¤Í¡A©Î³\¤]¯à ±q¤¤§ä¨ì¤@¨Ç¦Û¤v¥i¯àÁÙ¨S¦³Å¥¹Lªººtöª©¥»¡C §@¦±®a²¤¶¡G ¬ù¿«?¶ë¤Ú´µ¸¦¦w?¤Ú«¢¡]J.S.Bach¡^ ¬ù¿«?¶ë¤Ú´µ¸¦¦w?¤Ú«¢ªº¯ª¤÷´N¬O¤@¦ì­µ¼Ö®a¡A¥Lªº¤÷¿Ë¤]¬O¤@¦ì­µ¼Ö®a¡A¥L¦Û¥®¥Í¬¡ ¦b¨}¦nªº­µ¼ÖÀô¹Ò¤¤¡C¥Lªº­ô­ô¬O¤]¤@¦W¥X¦âªººÞ­·µ^¤â¡A´¿±Ð¤Ú«¢¾Ç²ß­µ¼Ö¡C¤Ú«¢¤G ¤Q¤G·³®É»P¨äªí©fº¿§Q¨Èµ²±B¡A¦@¥Í¤U¤F¤C­Ó«Ä¤l¡Fº¿§Q¨È¥h¥@«á¡A¤Ú«¢¦P¤kºq°Û®a¦w ®R?º¿®æ¹FÁ¢®Rµ²±B¡A¤S¥Í¤U¤Q¤T­Ó«Ä¤l¡C¤Ú«¢ªº¤l¤k¦@¦³¤E¤Hªø¤j¦¨¤H¡A¨ä¤¤´N¦³¤T­Ó «Ä¤lÄ~©Ó¤÷·~¡A¦¨¬°«Ü¦³¼vÅTªº­µ¼Ö®a¡C¥Lªº¦¸¤l¥dº¸?µá¤O´¶?¤Ú«¢¡]C.P.E.Bach¡^ªø ´Á©~¦í©óº~³ù¡A³QºÙ¬°¡uº~³ù¤Ú«¢¡v¡F²Ä¤T­Ó¨à¤l¬ù¿«?§J§Q´µ¸¦¦w?¤Ú«¢¡]J.C.Bach¡^ ªø´Á©~¦í©ó­Û´°¡A³QºÙ¬°¡u­Û´°¤Ú«¢¡v¡A¥L­Ì¦b­µ¼Ö¥v¤W³£«Ü¦³¦a¦ì¡A¹ï®ü¹y¡B¨©¦hªâ µ¥³£¦³ª½±µªº¼vÅT¡C ¡i±M¿è¦±¥Ø¡j¡G DISK1¡G 1. Brandenburg Concerto No1 in F, BWV1046 - 1. Allegro ²Ä¤@«kÄõµn³ù¨ó«µ¦±¢¹§Ö ªO ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 2. Brandenburg Concerto No1 in F, BWV1046 - 2. Adagio ²Ä¤@«kÄõµn³ù¨ó«µ¦±¢º¬X ªO ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 3. Brandenburg Concerto No1 in F, BWV1046 - 3. Allegro ²Ä¤@«kÄõµn³ù¨ó«µ¦±¢»§Ö ªO ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 4. Brandenburg Concerto No1 in F, BWV1046 - 4. Menuet - Trio - Polonaise ²Ä¤@ «kÄõµn³ù¨ó«µ¦±¢¼¤p¨B»R¦± ¤¤¬q ªiù¤D¯÷ªiÄõ»R¦± ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 5. Brandenburg Concerto No2 in F, BWV1047 - 1. Allegro ²Ä¤G«kÄõµn³ù¨ó«µ¦±¢¹§Ö ªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 6. Brandenburg Concerto No2 in F, BWV1047 - 2. Andante ²Ä¤G«kÄõµn³ù¨ó«µ¦±¢º¦æ ªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 7. Brandenburg Concerto No2 in F, BWV1047 - 3. Allegro assai ²Ä¤G«kÄõµn³ù¨ó«µ ¦±¢»«Ü§Öªº§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 8. Brandenburg Concerto No3 in G, BWV1048 - 1. Allegro ²Ä¤T«kÄõµn³ù¨ó«µ¦±¢¹§Ö ªO ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 9. Brandenburg Concerto No3 in G, BWV1048 - 2. Adagio ²Ä¤T«kÄõµn³ù¨ó«µ¦±¢º¬X ªO ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 10. Brandenburg Concerto No3 in G, BWV1048 - 3. Allegro ²Ä¤T«kÄõµn³ù¨ó«µ¦±¢» §ÖªO ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î DISK2¡G 1. Brandenburg Concerto No4 in G, BWV1049 - 1. Allegro ²Ä¥|«kÄõµn³ù¨ó«µ¦±¢¹§Ö ªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 2. Brandenburg Concerto No4 in G, BWV1049 - 2. Andante - 3. Presto ²Ä¥|«kÄõµn ³ù¨ó«µ¦±¢º¦æªO¢»«æªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 3. Brandenburg Concerto No5 in D, BWV1050 - 1. Allegro ²Ä¤­«kÄõµn³ù¨ó«µ¦±¢¹§Ö ªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 4. Brandenburg Concerto No5 in D, BWV1050 - 2. Affetuoso ²Ä¤­«kÄõµn³ù¨ó«µ¦±¢º ·RÅʦӼö¯P ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 5. Brandenburg Concerto No5 in D, BWV1050 - 3. Allegro ²Ä¤­«kÄõµn³ù¨ó«µ¦± ¢» §ÖªO ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 6. Brandenburg Concerto No6 in B flat, BWV1051 - 1. (Ohne Satzbezeichnung) ²Ä ¤»«kÄõµn³ù¨ó«µ¦±¢¹µL¼Ö³¹ªí­z ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 7. Brandenburg Concerto No6 in B flat, BWV1051 - 2. Adagio ma non tanto ²Ä¤» «kÄõµn³ù¨ó«µ¦±¢º¤£¤ÓºCªº¬XªO ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î 8. Brandenburg Concerto No6 in B flat, BWV1051 - 3. Allegro ²Ä¤»«kÄõµn³ù¨ó«µ ¦±¢»§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î DISK3¡G Arthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Herman Krebbers (1923-)(Violin) »®º¸°Ò?§J¦C§B´µ ¤p´£µ^ Heinz Holliger (1939-)(Oboe) ®ü¦]¯÷?ÀN§Q®æ Âù®ºÞ Arpad Gerecz ªü©¬¼w?³Ç·ç¯÷ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î Edo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S New Philharmonia Orchestra ·s­Û´°·R¼ÖºÞ©¶¼Ö¹Î ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Heinz Holliger (1939-)(Oboe) ®ü¦]¯÷?ÀN§Q®æ Âù®ºÞ New Philharmonia Orchestra ·s­Û´°·R¼ÖºÞ©¶¼Ö¹Î «ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S 1. Violin Concerto No1 in A minor, BWV1041 - 1. Allegro moderato ²Ä¤@¤p´£µ^¨ó «µ¦±¢¹§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 2. Violin Concerto No1 in A minor, BWV1041 - 2. Andante ²Ä¤@¤p´£µ^¨ó«µ¦±¢º¦æ ªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 3. Violin Concerto No1 in A minor, BWV1041 - 3. Allegro assai ²Ä¤@¤p´£µ^¨ó«µ ¦±¢»¬Æ§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 4. Violin Concerto No2 in E, BWV1042 - 1. Allegro ²Ä¤G¤p´£µ^¨ó«µ¦±¢¹§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 5. Violin Concerto No2 in E, BWV1042 - 2. Adagio ²Ä¤G¤p´£µ^¨ó«µ¦±¢º¬XªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 6. Violin Concerto No2 in E, BWV1042 - 3. Allegro assai ²Ä¤G¤p´£µ^¨ó«µ¦±¢»¬Æ §ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 7. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV1043 - 1. Vivace Âù¤p´£µ^¨ó«µ¦±§@«~¤@¹s¥|¤T¢¹§Ö¦Ó¬¡¼â ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Herman Krebbers (1923-)(Violin) »®º¸°Ò?§J¦C§B´µ ¤p´£µ^ Les Solistes Romands ·ç¤h®öº© ¿W«µ «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 8. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV1043 - 2. Largo ma non tanto Âù¤p´£µ^¨ó«µ¦±§@«~¤@¹s¥|¤T¢º±q®eªº¼sªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Herman Krebbers (1923-)(Violin) »®º¸°Ò?§J¦C§B´µ ¤p´£µ^ Les Solistes Romands ·ç¤h®öº© ¿W«µ «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 9. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV1043 - 3. Allegro Âù¤p´£µ^¨ó«µ¦±§@«~¤@¹s¥|¤T¢»§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Herman Krebbers (1923-)(Violin) »®º¸°Ò?§J¦C§B´µ ¤p´£µ^ Les Solistes Romands ·ç¤h®öº© ¿W«µ «ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷ 10. Concerto for Violin, Oboe, and Strings in D minor, BWV1060 - 1. Allegro ¤p´£µ^»PÂù®ºÞ¨ó«µ¦±§@«~¤@¹s¤»¹s¢¹§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Heinz Holliger (1939-)(Oboe) ®ü¦]¯÷?ÀN§Q®æ Âù®ºÞ New Philharmonia Orchestra ·s­Û´°·R «ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S 11. Concerto for Violin, Oboe, and Strings in D minor, BWV1060 - 2. Adagio ¤p ´£µ^»PÂù®ºÞ¨ó«µ¦±§@«~¤@¹s¤»¹s¢º¬XªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Heinz Holliger (1939-)(Oboe) ®ü¦]¯÷?ÀN§Q®æ Âù®ºÞ New Philharmonia Orchestra ·s­Û´°·R «ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S 12. Concerto for Violin, Oboe, and Strings in D minor, BWV1060 - 3. Allegro ¤p´£µ^»PÂù®ºÞ¨ó«µ¦±§@«~¤@¹s¤»¹s¢»§ÖªO ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Heinz Holliger (1939-)(Oboe) ®ü¦]¯÷?ÀN§Q®æ Âù®ºÞ New Philharmonia Orchestra ·s­Û´°·R «ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S DISK4¡G 1. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Aria - Variations 1-5 ¤T¤Q­ºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ µú¼Û½Õ ÅÜ«µ¤@¦Ü¤­ 2. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 6- 10 ¤T¤Q­ºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ ÅÜ«µ¤»¦Ü¤Q 3. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 11-15 ¤T¤Q­ºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ ÅÜ«µ¤Q¤@¦Ü¤Q¤­ 4. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 16-20 ¤T¤Q­ºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ ÅÜ«µ¤Q¤»¦Ü¤G¤Q 5. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 21-25 ¤T¤Q­ºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ ÅÜ«µ¤G¤@¦Ü¤G¤­ 6. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 26-30 - Aria ¤T¤Q­ºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ ÅÜ«µ¤G¤»¦Ü¤T¤Q µú¼Û½Õ DISK5¡G 1. Toccata and Fugue in D minor, BWV565 - Toccata ºÞ­·µ^¦«¥d¶ðIJ§Þ¦±»P½á®æ ¦« ¥d¶ðIJ§Þ¦± 2. Toccata and Fugue in D minor, BWV565 - Fugue ºÞ­·µ^¦«¥d¶ðIJ§Þ¦±»P½á®æ ½á®æ ¦± 3. Suite No3 in D, BWV1068 - 'Air on the G string' ²Ä¤TºÞ©¶¼Ö²Õ¦±¤§G©¶¤Wªºµú ¼Û½Õ 4. Fugue in G minor, BWV578 'The Little' ºÞ­·µ^¤p½á®æ¦± 5. Herz und Mund und Tat und Leben Cantata, BWV147 - Arr. Virgil Fox - Jesu, Joy of Man's Desiring ±d¶ð¶ð²M°Û¼@ ¥H¤ß ¥H·N ¥H¤f»P¥Í©R ºû¦Nº¸?ºÖ§J´µ§ï ½s ­C¿q ¼Ö©óº¡¨¬¤HÃþªºÄ@±æ 6. Toccata, Adagio and Fugue in C, BWV564 - 1. Toccata ºÞ­·µ^¦«¥d¶ðIJ§Þ¦± ¬X ªO»P½á®æ¢¹¦«¥d¶ðIJ§Þ¦± 7. Toccata, Adagio and Fugue in C, BWV564 - 2. Adagio ºÞ­·µ^¦«¥d¶ðIJ§Þ¦± ¬XªO »P½á®æ¢º¬XªO 8. Toccata, Adagio and Fugue in C, BWV564 - 3. Fugue ºÞ­·µ^¦«¥d¶ðIJ§Þ¦± ¬XªO »P½á®æ¢»½á®æ¦± 9. Prelude and Fugue in A minor, BWV543 - 1. Prelude ºÞ­·µ^«e«µ¦±»P½á®æ¢¹«e«µ ¦± 10. Prelude and Fugue in A minor, BWV543 - 2. Fugue ºÞ­·µ^«e«µ¦±»P½á®æ¢º½á®æ ¦± 11. Liebster Jesu, wir sind hier, BWV373 ²³Ægºq«e«µ¦± ³Ì¿Ë·Rªº­C¿q §Ú­Ì´N¦b³o ¨à 12. Cantate No29 'Wir danken dir, Gott, wir danken dir', BWV29 - Arr. Carlo Curley - Sinfonia in D ±d¶ð¶ð²M°Û¼@ §Ú­Ì·PÁ±z ¤W«Ò §Ú­Ì·PÁ±z «e«µ¦± ¥d¬¥?¬_ §Q§ï½s 13. Concerto for Harpsichord, Strings, and Continuo No5 in F minor, BWV1056 - Arioso ²Ä¤­¤jÁäµ^»P²Í¼Ö¶¤¨ó«µ¦± ¦üµú°Û½Õ¦Ó±Û«ß¦pºq¬yºZ 14. Cantata, BWV129 'Gelobet sei der Herr, mein Gott' - Arr. Curley - Awake thou wintry earth ±d¶ð¶ð²M°Û¼@ ¹|´­§Ú¥D ¥d¬¥?¬_§Q§ï½s ¿ô¨Ó§a ´H¥V¤j¦a 15. Cantata, Wachet auf, ruft uns die Stimme, BWV645 ('Sleepers, Awake') ±d¶ð ¶ð²M°Û¼@ ¿ô¨Ó§a ¨IºÎªÌ ¤@­ÓÁn­µ¦b°ª³Û 16. Wir glauben all'an einen Gott, BWV680 ¸tµú½á®æ¦± §Ú­Ì¤@°_¬Û«H°ß¤@ªº¤W«Ò¡] ³Ð³y¤Ñ¦aªÌ¡^ ·¥­P¡G¤Ú¬¥§J¿ï¶° Ultimate Baroque, the essential masterpieces (5CD) Ãö©óDECCAªº¡mUltimate¡n¨t¦C¡G DECCA ¡mUltimate¡n¨t¦C¥]¬A¦h®M5CD¤@²Õªº¥DÃD¿ï¶°¡AµÛ­«¦a¤¶²Ð¤F¦U­Ó®É¥Nªº¤j®v­Ì ³Ì¦³¼vÅT¤O¡B³Ì¼s¬°¬y¶Çªº¥j¨å­µ¼Ö§@«~¡A¨ä¤¤¥]¬A¨©¦hªâ¡B¤Ú»®¡B¨v¨¹¡B®ã¥i¤Ò´µ°ò ¡B²ö¤ã¯S¡BµÎ§B¯Sµ¥ªº¥²Å¥¤§§@¡C¦¹¥~¡A¸Ó¨t¦CÁÙ¥H¤£¦PÅéµô§@¬°Ãþ§O¹º¤À¡A¥[¤J¤F¥j ¨å¤p´£µ^¡B¤j´£µ^¡B¿ûµ^¡B¿ûµ^¨ó«µ¦±¡B¥ð¶¢¥j¨å¡B¤Ú¬¥§J¡Bºq¼@µ¥¥DÃD¿ï¶°¡CÁöµM³o ­Ó¨t¦C¤¤¬Y¨Ç¿ï¦±ªº¿ý­µ¦~¥÷¦³¨Ç¤[»·¡A¦ýºtöªÌ¤¤¤£¥F©v®v¯Åªº¤Hª«¡A¬GªY½à»ù­È¤] ¬O»á°ªªº¡C¥þ¨t¦C¥ÑÀô²y¤½¥q¤UÄݪº¼w°êEDCÀ£¤ù¥Í²£¡A«~½èÀu¨}¡A¦Ó«Ê­±³]­p«h²¬ù¦Ó ¤£¥¢¨å¶®¡C¸Ó¨t¦C¤ñ¸û¾A¦Xªì¯A¥j¨å­µ¼ÖªºªB¤ÍªY½à¡B¦¬ÂáA³q¹L³o®M¤Jªù¯ÅªºCD¯à¹ï ¥j¨å­µ¼Ö¦³¤@­Ó°ò¥»ªº¡Bªì¨Bªº»{ª¾©MÁA¸Ñ¡C¦Ó¤w¬O¥j¨å­µ¼Ö·R¦nªÌªº¼Ö¤Í¡A©Î³\¤]¯à ±q¤¤§ä¨ì¤@¨Ç¦Û¤v¥i¯àÁÙ¨S¦³Å¥¹Lªººtöª©¥»¡C ¡i³¡¤À§@«~²LªR¡j¡G ºû¥Ëº¸²Ä¡G¤p´£µ^¨ó«µ¦±¡m¥|©u¡n §@«~¤j¬ù§@©ó1725¦~¡A¬Oºû¥Ëº¸²Ä¤j¬ù¤­¤Q·³®É¥Xª©ªº¤Q¤G³¡¨ó«µ¦±ªº²Ä¤@¸¹¨ì²Ä¥|¸¹ ¡A¦XºÙ¡m¥|©u¡n¡C ³o¥|³¡¨ó«µ¦±¬Oºû¥Ëº¸²Ä³ÌµÛ¦Wªº§@«~¡A¨ä¤¤ªº±Û«ß¦Ü¤µ¤´ªø²±¤£°I¡C¥|³¡§@«~§¡±Ä¥Î ¤T¼Ö³¹¨ó«µ¦±§Î¦¡ªº¥¿©v¼ÐÃD­µ¼Ö¡A¤£¶È·Óµ¹©wªº¤Q¥|¦æ¸Ö°t¤W­µ¼Ö¡A¦Ó¥BÁÙ¹B¥Î¤F¤£ ¤Ö´y¼g¤âªk¡Cºû¥Ëº¸²Ä¦bÁ`«µ»P¥D«µ¥æ´À§Î¦¨ªº½Æ«µ§Î¦¡¤W¡A¥©§®¦a°t¥H¼ÐÃD¡C¦bºû¥Ë º¸²Ä¤§«e¡AÁÙ¨S¦³¤H¥H¼ÐÃD­µ¼Öªº¤è¦¡Ãмg¹L¨ó«µ¦±¡C ¥Ñ©óºû¥Ëº¸²Äªº¡m¥|©u¡nÄÝ©ó¼ÐÃD­µ¼Ö¡A©Ò¥H±q§Î¦¡¤W¬Ý¡A¦ÛµM¸û¨ä¥L¨ó«µ¦±Åã±o¦Û¥Ñ ¦Ó¥B¤£¥­¿Å¡A¦ý³o¼Ë¤Ï¦Ó§ó¯àªí²{¥X¤Ú¬¥§Jªº¯S¦â¤Î¾y¤O¡C³o¥|³¡§@«~µe·N¯sµM¡A¿Eµo ¥X¤H­Ì¹ï¤Ú¬¥§J®É¥N­µ¼Öªº¿@«p¿³½ì¡C ¡m¥|©u¡nªº¼ÐÃD¤À§O¬°¡G¡m¬K¡nE¤j½Õ¡B¡m®L¡nG¤p½Õ¡B¡m¬î¡nF¤j½Õ¡B¡m¥V¡nF¤p½Õ¡C¨ä ¤¤¥H¡m¬K¡nªº²Ä¤@¼Ö³¹¡]§ÖªO¡^³Ì¬°µÛ¦W¡A­µ¼Ö®i¶}»´§Ö´r®®ªº±Û«ß¡A¨Ï¤HÁp·Q¨ì¬K¤Ñ ªº½µºñ¡F¡m®L¡n«h¥X¥G·N®Æ¤§¥~¡Aªí²{¥X®L¤Ñªº¯h¥F¡B´o¤H¡F¡m¬î¡n´y¼gªº¬O¦¬Ã¬©u¸` ¤¤¡A¹A¥Á­Ì¶¼°s§@¼Ö¡B¼y¯¬Âצ¬ªº§Ö¬¡´º¶H¡A²Ä¤@¼Ö³¹Åw§Ö¬¡¼â¡F¡m¥V¡n´y¼g¤H­Ì¨«¦b ¦B¤W·Æ½]ªº«ººA¡A¥H¤Î¥ÑÄl®Ç²·±æµ¡¥~«B´ºµ¥´º¶H¡A¨ä¤¤²Ä¤G¼Ö³¹«D±`¥X¦W¡A´¿³Q§ï½s ¬°»´­µ¼Ö¦Ó¼s¬°¬y¶Ç¡C ¦ë¼wº¸¡G¡mºÞ­·µ^¨ó«µ¦±¡n ¦ë¼wº¸ºÞ­·µ^¨ó«µ¦±¡A¥D­n¬OOp.4ªº6¦±»POp.7ªº6¦±¡A³o¨â®M¨ó«µ¦±³£¬O¦b­^°ê¬¡ÅD®É ´Áªº§@«~¡C°£¦¹12­º¥~¡A¥t¦³4­ºµL½s¸¹¡A¦@­p16­º¡CF¤j½Õ²Ä¥|¸¹ºÞ­·µ^¨ó«µ¦± hwv292 ¦ë¼wº¸§¹¦¨©ó1735¦~3¤ë23¤é¡AÄÝ©óop.4¤¤ªº²Ä¥|­º¦P¦~¥|¤ë¤@¤é­ººt¡A¬O¤»¦±¤¤³Ì¨üÅw ªïªº¤@­º¡C¥þ¦±¥|­Ó¼Ö³¹¡C²Ä¤@¼Ö³¹¡G§ÖªO¡A4/4©ç¡A¦X«µ©M»ô«µ¡C²Ä¤G¼Ö³¹¡G¦æªO¡A­° B¤j½Õ¡A4/4©ç¡AÂ×´Iªº§Þ¥©®i¥Ü¡C²Ä¤T¼Ö³¹¡G¬XªO¡Ad¤p½Õ¡A4/4©ç¡A¤ñ¸û¦Û¥Ñªºµu¤pªº ¼Ö³¹¡C²Ä¥|¼Ö³¹¡G§ÖªO¡AF¤j½Õ¡A4/4 ©ç¡A­ã½á®æ¦±¼Ö³¹¡A¥DÃD«á¨Ó³Q¡m«¢ùظô¨È¡n¤Þ¥Î ¡A¥þ¦±¬ù15¤ÀÄÁ¡C ¦ë¼wº¸¡G¡mµK¤õ­µ¼Ö¡n ¬Ó®aµK¤õ­µ¼Ö¬O¦ë¼wº¸±ß´Á³Ì°¶¤jªº¼Ö¶¤§@«~¤§¤@¡A¥¦¬O¨ü©R¬°­^°ê¼y¯¬¡u·R§J´µ¡Ð©Ô ®L¨©º¸©M¬ù¡vªºÃ±­q¦Ó§@¡C³o­Ó©M¬ùµ²§ô¤Fªø´Á¥H¨Óªº¡u¶ø¦a§Q¬Ó¦ìÄ~©Ó¾Ôª§ ¡v¡A¼y¯¬ ¬¡°Ê¦³µK¤õªíºt©M»P¤§°t¦Xªº½÷·×­µ¼Ö¡C¦b³Ð§@®É¡A°ê¤ý±j½Õ¤£­n¡u´£µ^¡v¡C³o­ºµK¤õ ­µ¼Ö­ººt©ó1749¦~4¤ë21¤é¡A¦b­Û´°´ì«¢º¸ªá¶é¡C ³o³¡§@«~¦@¤À¤»­Ó¼Ö³¹¡G¤@¡B§Ç¦±¡C¥HµØ¬ü¦Ó´IÄR°ó¬ÓªººCªO±Û«ß¶}ÀY¡AµM«á¥H¶Ç²Îªº ½á®æ¶}©l§ÖªO¥DÅé¡A§Q¥Î¼Ö¾¹ªº¹ï¤ñ­«­¡¡Aªí¹F¥X¦³¬¡¤O¡B½ÆÂøªºÂ´Åé¡AµM«á¤S¦^¨ìºC ªO¡C¤G¡B¥¬¦C»R¦±¡C³o¬O¤@­Ó¤p¥©ªº¤¤¶¡´¡¬q¡A¨ä±Û«ß»´ÃP¦Ó¾ë¹ê¡A¦³¸õÅD·P¡C¤T¡B¦è ¦è¨½­·®æ¡C³o¬O¤@­Ó¹çÀRµÎ½wªº¼sªO¡AÃþ¦ü¸t½Ï­µ¼Ö¤¤ªº¥Ð¶é¦±¡C¥|¡BÅw¼Öªº§ÖªO¡C¥H ¤Ú¬¥§J¦¡¤p¸¹¥DÃDªí¹FªºÅw¼Ö®ðª^¡C¤­¡Bªk°ê¦¡ªº¤p¨B»R¦±¡A¬X©Mªº¹ï¤ñ¼Ö³¹¡C¤»¡B¤p ¨B»R¦±¡AÂù®ºÞ»P¤jºÞªº¦X«µ¡C ¦ë¼wº¸¡G¡m¤ô¤W­µ¼Ö¡n ¤SºÙ¡m¤ô¼Ö¡n¡B¡m²î¼Ö¡n¡C¦ë¼wº¸§@©ó1717¦~¡A¬O¤@³¡ºÞ©¶¼Ö²Õ¦±¡C¶Ç»¡¬O¦b­^°ê­Û´° ®õ±à¤hªe¤W¬°·s§Y¦ìªº­^¬Ó³ìªv¤@¥@ºt«µªº¡A¬G¦³¡u¤ô¤W­µ¼Ö¡vªº¬ü¦W¡C¥þ³¡²Õ¦±¥Ñ¤G ¤Q­º¤p¦±²Õ¦¨¡A¶}©l¬O¤@­ºªk°ê¦¡ªº«e«µ¦±¡A¨ä«á¬O¥¬µÜ»R¦±¡B¤p¨B»R¦±µ¥¦UºØ§Î¦¡ªº »R¦±¡A¦P®É¤]¦³½wºC¼Ö³¹¡C¼Ö¾¹¨Ï¥Î¤F¤p´£µ^¡B§C­µ´£µ^¡B¤éº¸°Ò¾î²Ã¡BªkÄõ¦è¾î²Ã¡B Âù®ºÞ¡B¶ê¸¹¡B¤p¸¹µ¥¡C¦@¦³¤»­Ó¼Ö³¹¡G §ÖªO¡B¥¬µÜ»R¦±¡B¤p¨B»R¦±¡B¸¹¨¤»R¦±¡]¤@ºØ ¥j¥Nªº¤T©ç¤l»R¦±¡^¡B¦æªO¡B°í¨Mªº§ÖªO¡C¥Ñ©ó±Û«ßÀu¬ü°ÊÅ¥¡A¸`«µ»´¥©¦Ó¬y¶Ç«á¥@¡C ³oùاڭ̿ï¿ý¤F¤»­Ó¼Ö³¹¤¤ªº²Ä¤@¼Ö³¹¡B²Ä¤G¼Ö³¹©M²Ä¤»¼Ö³¹¡C²Ä¤@¼Ö³¹¬°²øÄYªº§Ç¦± ¡A¼Ö¦±®ðª^¬¡¼â¼ö¯P¡A¶}©l¥Ñ¶ê¸¹»P²Í¼Ö¾¹¦@¦P«µ¥X»´¬Õªº¦P­µ¤ÏÂЩMµØ¬üªºÅ¸­µ¡A¬Û ¤¬¹ïµª¡C²Ä¤G¼Ö³¹¬°»R¦±¯ëªº±Û«ß¡A®ðª^»´ÃPµÎ®i¡C³oùØ¿ï¿ýªº²Ä¤G¥DÃD¬°¤p½Õ¡A§ç±¡ ©Ê«Ü±j¡C²Ä¤»¼Ö³¹¬°°í¨Mªº§ÖªO¡A«ÂªZ¶¯§§¡C³o¤@³¡¤À¬O¥þ¦±³Ì¬°ºë±mªº½g³¹¡C ¤Ú»®¡G¡m¥|­º¼Ö¶¤²Õ¦±¡n ¤Ú»®¬°¼Ö¶¤©Ò§@ªº4­º²Õ¦±BWV1066-1069¡A¨ä¹êÀ³¸Ó¥s°µ§Ç¦±¡C³oºØ§Ç¦±¥Hºq¼@§Ç¦±ªº½d ¨Ò¼g¦¨¡A³oÃþºq¼@§Ç¦±­ì¬°¸ô©ö¤Q¥|ªº®c§Ê¨î©w¨BºA¦Ó§@¡A«á¨Ó¦¨¬°¬y¦æªº¤@ºØ¿W¥ß¼Ö ¶¤§@«~¡C¦]¬°¥¦»P¤Zº¸ÁÉ®c¦³Ãö¡A¤H­Ì§â³oºØ§Ç¦±¬Ý¦¨¡u¤Ó¶§¯«¡vªºÅv¤O¤ÎµØ¶Qªº¶H¼x ¡A¥¦¥NªíµÛ¤ý«Çªº´LÄY»PÅv¤O¡C¤Ú»®ªº³o¤@®M²Õ¦±ªí¹Fªº¬O¦Ü°ªµL¤Wªº¯«ªº²øÄY¡C¤Ú»® ¥Í«e¨ä¹ê¤@©w¤£¤î¥u³Ð§@¤F³o4­º²Õ¦±¡A¦ý¦]¤Ú»®¥Í«e¤£³Q­«µø¡A©Ò¥H§@«~´²¥¢·¥¦h¡A¥Ø «e¯d¤Uªº¥u¦³³o4­º¡C ²Ä¤T­º¡AD¤j½Õ¡ABWV1068¡A¤j¬ù§@©ó1722¦~¡A³o¤@­º¦b4­º¤¤³Ì¬°­«­n¡C©s¼wº¸ªQ1830¦~ ´¿¦b¿ûµ^¤W§â¥¦¼uµ¹¼w°ê¸Ö¤Hºq¼wÅ¥¡Aºq¼wÅ¥«áªº·Pı¬O¡u¶}ÀY¬O³o¼ËµØÄR´LÄY¡A¨Ï¤H ¥i¥H·Q¹³¨ì¤@¤j¸sÅã­n¤Hª«ªuµÛªøªøªº¼Ó±è³½³e¦Ó¤U¡C¡v³o­º§@«~¥]¬A¡G1¡Bªk°ê¦¡§Ç¦± ¡C2¡Bµú¼Û½Õ¡A¥Î©¶¼Ö¦X«µªº¤è¦¡¡A³o­Ó½wºCªº¼Ö³¹«á¥Ñ¼w°ê¤p´£µ^®a«Â·G§ï½s¦¨¤p´£µ^ ¦±¡A´N¬OµÛ¦Wªº¡mG©¶¤Wªºµú¼Û½Õ¡n¡C3¡B¥[¨U¯S»R¦±¡C4¡B¥¬¦C»R¦±¡C5¡B¦N®æ»R¦±¡C¦Ó °¨§Q¯ÇÀï¤h«ü´§¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Îªº³o­Óºtöª©¥»¤]¬O«Ü¨ü¥@¤HºÙ¹Dªº¡C ±M¿è¦±¥Ø: CD1. Vivaldi: The Four Seasons ¡mºû¥Ëº¸²Ä¡G¤p´£µ^¨ó«µ¦±, ¡u¥|©u¡v¡n Concerto for Violin and Strings in E, Op.8, No.1, R.269 "La Primavera" ¡mE¤j½Õ¨ó«µ¦±, ¡u¬K¡v, §@«~¤K¤§1, R.269¡n 01. - i. Allegro 02. - ii. Largo 03. - iii. Allegro (Danza pastorale) Concerto for Violin and Strings in G minor, Op.8, No.2, R.315 "L'estate" ¡mG¤p½Õ¨ó«µ¦±, ¡u®L¡v, §@«~¤K¤§2, R.315¡n 04. - i. Allegro non molto - Allegro 05. - ii. Adagio - Presto - Adagio 06. - iii. Presto (Tempo impetuoso d'estate) Concerto for Violin and Strings in F, Op.8, No.3, R.293 "L'autunno" ¡mF¤j½Õ¨ó«µ¦±, ¡u¬î¡v, §@«~¤K¤§3, R.293¡n 07. - i. Allegro (Ballo, e canto de' villanelli) 08. - ii. Adagio molto (Ubriachi dormienti) 09. - iii. Allegro (La caccia) Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno" ¡mF¤p½Õ¨ó«µ¦±, ¡u¥V¡v, §@«~¤K¤§4, R.297¡n 10. - i. Allegro non molto 11. - ii. Largo 12. - iii. Allegro Concerto for Violin and Strings in E flat, Op.8, No.5 , RV 253 "La tempesta di mare" ¡m­°E¤j½Õ¨ó«µ¦±, ¡u¤j®ü­·¼É¡v, §@«~¤K¤§5, RV 253¡n 13. - i. (Allegro e) presto 14. - ii. Largo 15. - iii. Presto Concerto for Violin and Strings in C, Op.8, No.6, R.180 "Il pia cere" ¡mC¤j½Õ¨ó«µ¦±, ¡u´r®®¡v, §@«~¤K¤§6, R.180¡n 16. - i. Allegro 17. - ii. Largo e cantabile 18. - iii. Allegro Mariana Sirbu (violin) / Shizuko Noiri (lute) / Francesco Buccarella ( harpsichord) / I Musici / DDD: 1996 ¤p´£µ^¡Gº¿ÄR¦w®R?®uº¸¥¬ / ¾|¯Sµ^¡G³¥¤J§Ó¬z¤l / ¤jÁäµ^¡GªkÄõ¦è´µ¬ì?¤Ú¥iµÜ©Ô / ­µ¼Ö¦X«µ¹Î CD2. Pachelbel ? Albinoni ? Bach ? Boccherini ? Handel ¡m©¬»®¨©º¸, ªüº¸¤ñ¿Õ¥§ , ¤Ú»®, Àj³ÍùØ¥§, ¦ë¼wº¸¡n 01. Pachelbel: Canon in D major * ©¬»®¨©º¸¡GD¤j½Õ¥d¹A 02. Pachelbel: Gigue in D major ** ©¬»®¨©º¸¡GD¤j½Õ¦N®æ»R¦± 03. Albinoni (arr. Giazotto): Adagio for Strings and Organ in G minor ªüº¸¤ñ¿Õ¥§(¸ë¦õ¦«§ï½s)¡GG¤p½Õ¬XªO 04. J.S. Bach: Jesu, Joy of Man's Desiring (Herz und Mund und Tat und Leben, Cantata BWV 147) * ¤Ú»®¡G­C¿q, ¥@¤HÅw´rªº´Á«Ý(±d¶ð¶ð, BWV 147) 05. J.S. Bach: Sheep May Safely Graze (Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208) * ¤Ú»®¡G¦Ï¨à·|¦w¹ç¦a¦Y¯ó(±d¶ð¶ð, BWV 208) 06. J.S. Bach: Air on the G string (Suite No.3 in D, BWV 1068) ¤Ú»®¡GG©¶¤Wªºµú¼Û½Õ(D¤j½Õ²Ä¤T²Õ¦±, BWV 1068) 07. J.S. Bach: Fugue [Prelude (Fantasy) and Fugue in G minor, BWV 542 - " Great"] * ¤Ú»®¡G¤j½á®æ(G¤p½Õ¤Û·Q¦±»P½á®æ, BWV 542) 08. Boccherini: Minuet from String Quintet in E, Op.13, No.5 Àj³ÍùØ¥§¡G¤p¨B»R¦±(E¤j½Õ²Í¼Ö¥|­««µ, §@«~¤Q¤T¤§5) 09. Hoffstetter (attr. Haydn): Senerade (String Quartet in F major, Op.3, No.5) ÀN¤Ò´µ®õ¯S¡G¤p©]¦±(F¤j½Õ²Í¼Ö¥|­««µ, §@«~¤T¤§5) 10. Handel: Musette: Larghetto (Concerto grosso in G minor, Op. 6, No. 6) ¦ë¼wº¸¡G­·²Ã»R¦± - ¤p¼sªO(G¤p½Õ¤j¨ó«µ¦±, §@«~¤»¤§4) 11. Handel: The Arrival of the Queen of Sheba (Act 3, Solomon HWV 67) ¦ë¼wº¸¡G®u¤Ú¤k¤ý¾rÁ{(¡m©Òùªù¡n²Ä¤T¹õ, HWV 67) Handel: Organ Concerto No.4 in F, Op.4 No.4 HWV 292 ¦ë¼wº¸¡GF¤j½ÕºÞ­·µ^¨ó«µ¦±, §@«~¥|¤§4, HWV 292 12. - Allegro 13. - Andante 14. - Adagio - Allegro Ulrich Bremsteller (organ) ºÞ­·µ^ºt«µ¡G¼Ú§Q§J?¥¬®Ô©i´µ®õ°Ç 15. Handel: Overture (Berenice) ¦ë¼wº¸¡G§Ç¦±(¨©¹p¥§´µ) (arr. M?nchinger*; Seiffert**) Stuttgarter Kammerorchester / Karl M?nchinger (conductor) / ADD: 1967, 1978 ´µ¹Ï¥[¯S«Ç¤º¼Ö¹Î / «ü´§¡G¥dº¸?©ú¿³®æº¸ CD3. Handel: Music for the Royal Fireworks ? Water Music ¡m¦ë¼wº¸¡G¬Ó®aµK¤õ­µ ¼Ö, ¤ô¤W­µ¼Ö¡n Music for the Royal Fireworks: Suite HWV 351 ¡m¬Ó®aµK¤õ­µ¼Ö²Õ¦±, HWV 351¡n 01. - i. Ouverture 02. - ii. Bourr?e 03. - iii. La Paix 04. - iv. La r?jouissance 05. - v. Menuet I-II Water Music Suite No.1 in F major, HWV 348 ¡m¤ô¤W­µ¼Ö¡GF¤j½Õ²Ä¤@²Õ¦±, HWV 348¡n 06. - i. Ouverture (Grave - Allegro - Adagio e staccato) 07. - ii. Allegro-Andante-Allegro 08. - iii. Passepied 09. - iv. Air 10. - v. Bourr?e 11. - vi. Allegro 12. - vii. Hornpipe 13. - viii. Menuet Water Music Suite No.3 in G major, HWV 350 ¡m¤ô¤W­µ¼Ö¡GG¤j½Õ²Ä¤T²Õ¦±, HWV 350¡n 14. - i. Sarabande 15. - ii. Rigaudon 16. - iii. Menuet I-II 17. - iii. Gigue I-II Water Music Suite No.2 in D major, HWV 349 ¡m¤ô¤W­µ¼Ö¡GD¤j½Õ²Ä¤T²Õ¦±, HWV 349¡n 18. - i. Allegro 19. - ii. Hornpipe 20. - iii. Lentement 21. - iv. Bourr?e 22. - v. Menuet Leslie Pearson (harpsichord) / English Chamber Orchestra / Raymond Leppard ( conductor) / ADD: 1970, 1972 ¤jÁäµ^¡GµÜ´µ§Q?¥Öº¸´Ë / ­^°ê«Ç¤º¼Ö¹Î / «ü´§¡G¹p»X¼w?µÜ©¬¼w CD4. J.S. Bach: Four Orchestral Suites ¡m¤Ú»®¡G¥|­º¼Ö¶¤²Õ¦±¡n Suite No.1 in C major, BWV 1066 ¡mC¤j½Õ²Ä¤@²Õ¦±, BWV 1066¡n 01. - i. Ouverture 02. - ii. Courante 03. - iii. Gavotte I & II 04. - iv. Forlane 05. - v. Menuet I & II 06. - vi. Bourr?e I & II 07. - vii. Passepied I & II Suite No.2 in B minor, BWV 1067 ¡mB¤p½Õ²Ä¤G²Õ¦±, BWV 1067¡n 08. - i. Ouverture 09. - ii. Rondeau 10. - iii. Sarabande 11. - iv. Bourr?e I-II 12. - v. Polonaise 13. - vi. Menuet - vii. Badinerie William Bennett (flute) ªø²Ãºt«µ¡G«Â·G?¯Z¥§¯S Suite No.3 in D major, BWV 1068 ¡mD¤j½Õ²Ä¤T²Õ¦±, BWV 1068¡n 14. - i. Ouverture 15. - ii. Air 16. - iii. Gavotte I-II 17. - iv. Bourr?e - v. Gigue Suite No.4 in D major, BWV 1069 ¡mD¤j½Õ²Ä¥|²Õ¦±, BWV 1069¡n 18. - i. Ouverture 19. - ii. Bourr?e I-II 20. - iii. Gavotte 21. - iv. Menuet I-II 22. - v. R?jouissance Thurston Dart (continuo) / Academy of St Martin in the Fields / Sir Neville Marriner (conductor) / ADD: 1971 ·æ´µ¹y?¹F¯S¡G³q«µ§C­µ / ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î / «ü´§¡G¤ººûº¸?°¨¸Ì¯Ç CD5. Giuliani ? Vivaldi: Guitar Concertos ¡m¦¶ùبȥ§, ºû¥Ëº¸²Ä¡G¦N¥L¨ó«µ¦±¡n Giuliani: Guitar Concerto No.1 in A major, Op.30 * ¡m¦¶ùبȥ§¡GA¤j½Õ²Ä¤@¦N¥L¨ó«µ¦±¡n 01. - i. Allegro maestoso 02. - ii. Andante sicilliano 03. - iii. Alla polacca Vivaldi: Concerto for Lute, 2 Violins and Continuo in D, RV.93 (arr. for guitar & chamber orchestra by Malipiero) ** ¡mºû¥Ëº¸²Ä¡G¬°¾|¯Sµ^, Âù¤p´£µ^©M³q«µ§C­µ¦Ó§@ªºD¤j½Õ¨ó«µ¦±, §@«~RV.93¡n (¥Ñ°¨§Q¥Ö­Cù§ï½s¬°¦N¥L»P©¶¼Öºt«µªº¨ó«µ¦±) 04. - i. Allegro giusto 05. - ii. Largo 06. - iii. Allegro Vivaldi: Concerto for Viola d'amore, Lute, Strings and Continuo in D minor , RV.540 (arr. for guitar & viola d'amore by Malipiero) ** ¡mºû¥Ëº¸²Ä¡G¬°§ç±¡ºû¶øº¸µ^, ¾|¯Sµ^, ©¶¼Ö¤Î³q«µ§C­µ¦Ó§@ªºD¤p½Õ¨ó«µ¦±, RV.540¡n (¥Ñ°¨§Q¥Ö­Cù§ï½s¬°¦N¥L»P§ç±¡ºû¶øº¸µ^ºt«µªº¨ó«µ¦±) 07. - i. Allegro 08. - ii. Largo 09. - iii. Allegro Norbert Blume (viola d'amore) §ç±¡ºû¶øº¸µ^¡G¿Õ§B¯S?¥¬¬y©i Vivaldi: Sonata for Lute, Violin and Continuo, RV.82 (arr. for guitar & chamber orchestra by Pujol) ? ¡mºû¥Ëº¸²Ä¡G¬°¾|¯Sµ^, ¤p´£µ^»P³q«µ§C­µ¦Ó§@ªº«µ»ï¦±, RV.82¡n (¥Ñ´¶ÀNº¸§ï½s¬°¦N¥L»P«Ç¤º¼Ö¶¤ºt«µªº¨ó«µ¦±) 10. - i. Allegro non molto 11. - ii. Larghetto 12. - iii. Allegro Paganini: Guitar Sonata in A major ¡m©¬®æ¥§¥§¡GA¤j½Õ¦N¥L«µ»ï¦±¡n 13. - i. Allegro risoluto 14. - ii. Romanza: Pi? tosto largo. Amorosamente 15. - iii. Andantino Variato. Scherzando (arr. Garigi*, Malipiero**, Pujol?) - - Eduardo Fernandez (guitar) / English Chamber Orchestra / George Malcolm ( conductor) / DDD: 1985, 1987 ¦N¥L¡G·R¼w¥Ëº¸¦h?¶Oº¸«n¼w´µ / ­^°ê«Ç¤º¼Ö¹Î / «ü´§¡G³ìªv?ÁÚ¦Ò©i XYZ STUDIO ±j¤O±ÀÂË¡I¡I¡I¤@©wÅý§A­È¦^²¼»ù¡A«OÃÒ¿ù¤£¤F¡C -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=