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CD1: Ultimate Ballet - Swan Lake ? The Sleeping Beauty ? The Nutcracker (
Suites)
Tchailovsky: Swan Lake, Op.20 (Suite) ®ã¬ì¤Ò´µ°ò¡G¡m¤ÑÃZ´ò¡n¡]²Õ¦±¡^
01. No.10 Sc?ne (Moderato) (Act 2)
02. No.13d Danse des petits cygnes (Allegro moderato) (Act 2)
03. No.13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxi?me danse
de la reine des cygnes (Andante) (Act 2)
04. No.20 Danse hongroise (Cz?rd?s) (Act 3)
05. No.2 Valse (Corps de Ballet) (Act 1)
Tchailovsky: The Sleeping Beauty, Op.66 (Suite) ®ã¬ì¤Ò´µ°ò¡G¡mºÎ¬ü¤H¡n(²Õ¦±)
06. Introduction
07. 9. Final (La F?e des lilas para?t) (Act 1)
08. Pas d'action (Act 1)
09. 24. Pas de caract?re (Puss in Boots) (Act 3)
10. 17. Panorama (Andantino) (Act 2)
11. 6. Valse (Act 1)
Tchailovsky: The Nutcracker, Op.71 (Suite) ®ã¬ì¤Ò´µ°ò¡G¡mJ®ç§¨¤l¡n¡]²Õ¦±¡^
12. Overture
13. No. 2 March (Act 1)
14. No. 14c Pas de deux: Variation II (Dance of the Sugar-Plum Fairy) (Act
2)
15. No. 12d Character Dances: Tr?pak (Russian Dance) (Act 2)
16. No. 12b Character Dances: Coffee (Arabian Dance) (Act 2)
17. No. 12c Character Dances: Tea (Chinese Dance) (Act 2)
18. No. 12e Character Dances: Dance of the Reed Pipes (Act 2)
19. No. 13 Waltz of the Flowers (Act 2)
- L'Orchestre de la Suisse Romande / Ernest Ansermet (conductor) / ADD 1958
(Op.20/71), 1959 (Op.66)
- (ºt«µ¡G·ç¤hù°Ò¼w¼Ö¹Î - «ü´§¡G¦w¶ë¬ü)
CD2: Ultimate Ballet - Copp?lia, Acts 1 & 2
Delibes: Copp?lia ¼w§Q¥¬¡G¡m¸¯»_²ú¨È¡n
01. Pr?lude
Act 1: ²Ä¤@¹õ¡G
02. No. 1 Valse
03. No. 2 Sc?ne (Swanilda et Frantz)
04. No. 3 Mazurka
05. No. 4 Sc?ne (Pr?paratifs de f?te)
06. No. 5 Ballade de l'?pi
07. No. 6 Th?me slave vari?
08. No. 7a Cz?rd?s (Danse hongroise)
09. No. 7b Sortie
10. No. 8 Final
Act 2: ²Ä¤G¹õ¡G
11. Entr'acte - Valse
12. No. 9 Sc?ne (L'atelier de Copp?lius)
13. No. 10 Sc?ne
14. No. 11a Musique des automates
15. No. 11b Sc?ne
16. No. 12 Sc?ne
17. No. 13 Chanson ? boire - Sc?ne
18. No. 14a Sc?ne
19. No. 14b Valse de la poup?e
20. No. 15 Sc?ne
21. No. 16 Bol?ro
22. No. 17 Gigue
23. No. 18 Sc?ne (Final)
- Rotterdam Philharmonic Orchestra / David Zinman (conductor) / ADD 1978
- ºt«µ¡G³À¯S¤¦·R¼Ö¼Ö¹Î - «ü´§¡G¬z°Ò
CD3: Ultimate Ballet - Copp?lia, Act 3 ? Les Sylphides ? Faust
-
Delibes: Copp?lia ¼w§Q¥¬¡G¸¯»_²ú¨È
Act 3: ²Ä¤T¹õ¡G
01. No. 19 Marche de la cloche
02. No. 20 F?te de la cloche: 1) Valse des heures
03. No. 20 F?te de la cloche: 2) L'aurore
04. No. 20 F?te de la cloche: 3) La pri?re
05. No. 20 F?te de la cloche: 4) Le travail (La fileuse)
06. No. 20 F?te de la cloche: 5) L'hymen (Noce villageoise)
07. No. 20 F?te de la cloche: 6) La discorde et la guerre
08. No. 20 F?te de la cloche: 7a) La paix
09. No. 20 F?te de la cloche: 7b) Danse de f?te
10. No. 20 F?te de la cloche: 8) Galop final
Chopin: Les Sylphides (arr. Roy Douglas) ¿½¨¹¡G¥P¤k¡]¤S¦W¡m¿½¨¹»î¡n¡^¡]¹D®æ©Ô
´µ§ï½s¡^
11. 1. Pr?lude
12. 2. Nocturne
13. 3. Valse
14. 4. Mazurka
15. 5. Mazurka
16. 6. Pr?lude
17. 7. Valse
18. 8. Valse
Gounod: Faust, Ballet Music (1869) ¥j¿Õ¡G¯B¤h¼w¡]ªÝÁ¢µ¼Ö¡^
19. 1. Les Nubiennes, valse (Allegretto)
20. 2. Adagio
21. 3. Danse antique (Allegretto)
22. 4. Variations de Cl?opatre (Moderato maestoso)
23. 5. Les Troyennes (Moderato con moto)
24. 6. Variations du miroir (Allegretto)
25. 7. Danse de Phryn? (Allegro vivo)
26. Waltz from Act II, Faust (Concert version) §ï½s¦Û¥j¿Õ¡m¯B¤h¼w¡n²Ä¤G¹õªº¶ê
»R¦±
- Rotterdam Philharmonic Orchestra / David Zinman (conductor) / ADD 1978 (
01-10), 1980 (11-26)
-ºt«µ¡G³À¯S¤¦·R¼Ö¼Ö¹Î - «ü´§¡G¬z°Ò
CD4: Ultimate Ballet - Prokofiev: Romeo and Juliet (Highlights) ´¶Ã¹¬ìµáC¤Ò
¡mù±K¼Ú»P¯üÄR¸¡n¡]ºë¿ï¤ù¬q¡^
Act 1: ²Ä¤@¹õ¡G
01. 1. Introduction
02. 2. Romeo
03. 3. The street wakens
04. 4. Morning dance
05. 5. The quarrel
06. 6. The fight
07. 7. The duke's command
08. 10. The young Juliet
09. 11. Arrival of the guests
10. 12. Masks
11. 13. Dance of the knights
12. 19. Balcony scene
Act 2: ²Ä¤G¹õ¡G
13. 22. Folk dance
14. 28. Romeo at friar Laurence's
15. 24. Dance of the five couples
16. 33. The duel
17. 34. Death of Mercutio
18. 35. Romeo decides to avenge Mercutio
19. Fight
Act 3: ²Ä¤T¹õ¡G
20. 37. Introduction
21. 38. Romeo and Juliet
22. 49. Dance of the girls with lilies
Act 4:
23. 51. Juliet's funeral
24. 52. Juliet's death
- Orchestre Symphonique de Montr?al / Charles Dutoit (conductor) / DDD 1989
- ºt«µ¡G»X¯S§Qº¸¥æÅT¼Ö¹Î - «ü´§¡G}¹Ï¥Ë
CD5: Ultimate Ballet - Stravinsky: The Firebird ? The Rite of Spring ´µ¯S©Ô¤å
´µ°ò¡m¤õ³¾¡n¡B¡m¬K¤§²½¡n
The Firebird (L'oiseau de feu) ¡m¤õ³¾¡n
01. Introduction
02. Kashchei's enchanted garden
03. Appearance of the Firebird pursued by Ivan Tsarevich
04. Dance of the Firebird
05. Ivan Tsarevich captures the Firebird
06. Supplication of the Firebird
07. Game of the Princesses with the golden apples
08. Sudden appearance of Ivan Tsarevich
09. Round dance of the Princesses
10. Daybreak
11. Magic carillon, appearance of Kashchei's guardian monsters and capture of
Ivan Tsarevich
12. Dance of Kashchei's retinue under the spell of the Firebird
13. Infernal dance of all Kashchei's subject's
14. Lullaby of the Firebird
15. Collapse of Kashchei's palace and dissolution of all enchantments -
Reanimation of the petrified prisoners - General rejoicing
The Rite of Spring (Le Sacre du Printemps) ¡m¬K¤§²½¡n
16. Part 1: L'Adoration de la Terre
17. Part 2: Le Sacrifice
- Detroit Symphony Orchestra / Antal Dor?ti (conductor) / DDD 1982 (01-15),
1981 (16-17)
- ºt«µ¡G©³¯S«ß¥æÅT¼Ö¹Î - «ü´§¡G¦·©Ô¸¦
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¡i±M¿è¦±¥Ø¡j:
Ultimate Verdi CD1: La traviata Highlights
¡i¯ùªá¤kºë¿ï¤ù¬q¡j
-
01. Prelude «e«µ¦±
Act 1. ²Ä¤@¹õ
02. Libiamo ne'lieti calici (Brindisi) (Alfredo, Violetta, all)
ºóµÛªá¹¢ªº°ª¸}ªM(¯¬°sºq)(ªüº¸¥±¹p¦h, Á¨¶ø¦C¶ð, ²³¤H)
03. E strano! - Ah, fors'? lui (Violetta)
¦h»òªº©_§®¡I ¡Ð °Ú, ¹Ú¤¤ªº¤H¨à(Á¨¶ø¦C¶ð)
04. Follie! Delirio vano ? questo! - Sempre libera (Violetta, Alfredo)
ºÆ¨g¡I³£¬OµL¥ÎªºÃ¨·Q¡I¡K¡K¤Î®É¦æ¼Ö(Á¨¶ø¦C¶ð, ªüº¸¥±¹p¦h)
Act 2. ²Ä¤G¹õ
05. Scene 1 - Lunge da lei - De' miei bollenti spiriti (Alfredo)
²Ä¤@³õ - Â÷¶}¤F¦o§Ú¤ß¼~¶Ë - §Ú¦~»´¨g¼öªº¹Ú(ªüº¸¥±¹p¦h)
06. Scene 1 - Pura, siccome un angelo...Un d?, quando le veneri (Germont,
Violetta)
²Ä¤@³õ - ¯«½çµ¹§Ú¤Ñ¨Ï¯ë¯Â¼ä¥i·Rªº¤k¨à(³ìªv?ªü¨~, Á¨¶ø¦C¶ð)
07. Scene 1 - Ah! Dite alla giovine (Violetta, Germont)
²Ä¤@³õ - ®@§AÁÙ¦~»´(Á¨¶ø¦C¶ð, ³ìªv?ªü¨~)
08. Scene 1 - Dammi tu forza, o cielo! (Violetta, Annina, Germont)
²Ä¤@³õ - µ¹§Ú¤O¶q,®@¤W¤Ñ°Ú(Á¨¶ø¦C¶ð, ¦w©g®R, ³ìªv?ªü¨~)
09. Scene 1 - Di Provenza il mar, il suol (Germont)
²Ä¤@³õ - §A¬üÄRªº®a(³ìªv?ªü¨~)
10. Scene 2 - Invitato a qui seguirmi (Violetta, Germont, all)
²Ä¤G³õ - §Ún¥LÀH§Ú¨Ó(Á¨¶ø¦C¶ð, ³ìªv?ªü¨~, ²³¤H)
11. Scene 2 - Di sprezzo degno se stesso rende (Germont, Alfredo, Flora,
Gastone, Doctor, Marchese, chorus, Baron, Violetta)
²Ä¤G³õ - ³o¼Ëªº¦H¦æ½Ö¥iÄÇ®¤(³ìªv?ªü¨~, ªüº¸¥±¹p¦h, ªÜù©Ô, ¥[´µªF, Âå¥Í, «JÀï
, ¦X°Û,
¨kÀï, Á¨¶ø¦C¶ð)
Act 3. ²Ä¤T¹õ
12. Teneste la promessa - Attendo, n? a me giungon mai - Addio del passato (
Violetta)
§A¦uµÛ§Aªº¿Õ¨¥ - µ¥«Ý¥u¬O¯Ó¶O®É¶¡ - ¦A·|¤F, ©õ¤éªº¤p®|(Á¨¶ø¦C¶ð)
13. Parigi, o cara, noi lasceremo (Alfredo, Violetta)
Åý§ÚÌ»·Â÷¤Ú¾¤, §Úªº¼°·R(ªüº¸¥±¹p¦h, Á¨¶ø¦C¶ð)
14. Ah, Violetta!...Se una pudica vergine (Germont, Violetta, Alfredo,
Annina, Doctor)
°ÚÁ¨¶ø¦C¶ð¡IÕY¦³¦ì·Å°ûªº²Q¤k(³ìªv?ªü¨~, Á¨¶ø¦C¶ð, ªüº¸¥±¹p¦h, ¦w©g®R, Âå¥Í
)
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- Joan Sutherland (Violetta) / Miti Truccato (Flora) / Dora Carral (Annina) /
Carlo Bergonzi (Alfredo Germont) / Robert Merrill (Germont pere) / Piero de
Palma (Gastone) / Paolo Pedani (Baron Douphol) / Giovanni Foiani (Doctor
Grenvi)
Orchestra and Chorus of the Maggio Musicale Fiorentino / Sir John Pritchard
(conductor) / ADD 1962
ºtûªí ¡Ð ÂÄ·æÄõ¡GÁ¨¶ø¦C¶ð
»e¸¦?¦¶¥d¦«¡GªÜù©Ô
¦·©Ô?¥d°Çº¸¡G¦w©g®R
¨©º¸©£»ô¡Gªüº¸¥±¹p¦h?ªü¨~
ù§B¯S?±ö·çº¸¡G³ìªv?ªü¨~
©¬º¸º¿¡G¥[´µªF / «Où?¨Ø¹F¥§¡G§ù¶Oº¸¨kÀï / ³ì¸U¥§?¥±¦w¥§¡GÂå¥Í
¦ñ«µ¤Î¦ñ°Û¡G¦òù۴µ¤¤ëµ¼Ö¸`¼Ö¹Î¤Î¦X°Û¹Î - «ü´§¡G¬ù¿«?´¶ùجd¼w
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Ultimate Verdi CD2: Rigoletto Highlights
¡i§Ë¦Úºë¿ï¤ù¬q¡j
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Act 1. ²Ä¤@¹õ
01. Pari siamo (Rigoletto)
§Ú̬O¦P¹D(§Q¤àµÜ¦«)
02. Figlia! ... Mio padre! (Rigoletto, Gilda)
¤k¨à¡I¡K¡K§Úªºª¨ª¨¡I(§Q¤àµÜ¦«, ¦Nº¸¹F)
03. Deh, non parlare al misero (Rigoletto)
®@¡I§O¦A´£°_¦o¤F(§Q¤àµÜ¦«)
04. Quanto dolor! (Gilda, Rigoletto, Giovanna)
05. Veglia, o donna, questo fior (Giovanna, Gilda, Rigoletto, Duke)
06. Gualtier Mald?...Caro nome (Gilda)
¥Êº¸´£¸¡I¡K¡K¿Ë·Rªº¦W¦r(¦Nº¸¹F)
Act 2. ²Ä¤G¹õ
07. Ella mi fu rapita! (Duke)
¦o¾D¸j¬[¤F¡I(°Ò¹Ï¥Ë¤½Àï)
08. Parmi veder le lagrime (Duke)
²\Åx¤d¦æ(°Ò¹Ï¥Ë¤½Àï)
09. Povero Rigoletto! - La r?, la r? (Marullo, Rigoletto, Borsa, Ceprano,
chorus)
¥i¼¦ªº§Q¤àµÜ¦«(°¨¾|¬¥, §Q¤àµÜ¦«, ªiº¸ÂÄ, ¦è¥¬Äõ¿Õ, ¦X°Û)
10. Cortigiani, vil razza dannata (Rigoletto)
§¯Å]°©Çªº¶Q±ÚÌ(§Q¤àµÜ¦«)
11. Ebben piango (Rigoletto)
12. Mio padre! Dio! Mia Gilda! (Gilda, Rigoletto, Borsa, Marullo, Ceprano,
chorus)
§Úªºª¨ª¨¡I¤Ñ°Ú¡I§Úªº¦Nº¸¹F(¦Nº¸¹F, §Q¤àµÜ¦«, °¨¾|¬¥, ¦è¥¬Äõ¿Õ, ¦X°Û)
13. Parla... siam soli ... Tutte le feste al tempio (Rigoletto, Gilda)
¦b¨CÓ§«ô¤Ñ¦±á(§Q¤àµÜ¦«, ¦Nº¸¹F)
14. Piangi, fanciulla (Rigoletto, Gilda)
ú§a, §Úªº«Ä¤l(§Q¤àµÜ¦«, ¦Nº¸¹F)
15. Compiuto pur quanto (Rigoletto, Gilda)
16. S?, vendetta (Rigoletto, Gilda)
¬Oªº, ´_¤³(§Q¤àµÜ¦«, ¦Nº¸¹F)
Act 3. ²Ä¤T¹õ
17. E l'ami (Rigoletto, Gilda, Duke, Sparafucile)
§A¤´µM·R¥L(§Q¤àµÜ¦«, ¦Nº¸¹F, °Ò¹Ï¥Ë¤½Àï, ´µ©¬©Ô¤Ò©_§Q)
18. La donna ? mobile (Duke)
µ½Åܪº¤k¤H(°Ò¹Ï¥Ë¤½Àï)
19. Un d?, se ben rammentomi (Duke, Gilda, Maddalena, Rigoletto)
¨º¤@¤Ñ, ¦Û±q¹J¨ì§A(°Ò¹Ï¥Ë¤½Àï, ¦Nº¸¹F, º¿¹FµÜ®R, §Q¤àµÜ¦«)
20. Bella figlia dell'amore (Duke, Maddalena, Gilda, Rigoletto)
¥@¶¡¬üÄRªº¤Ö¤k(°Ò¹Ï¥Ë¤½Àï, º¿¹FµÜ®R, ¦Nº¸¹F, §Q¤àµÜ¦«)
21. Chi ? maii, chi e qui in sua vece? (Rigoletto)
½Ö¬O´À¸o¦Ï¡H(§Q¤àµÜ¦«)
22. V'ho ingannato ... Lass?... in cielo" (Gilda, Rigoletto)
¦b¤Ñ°óùØ(¦Nº¸¹F, §Q¤àµÜ¦«)
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- Renato Bruson (Rigoletto) / Edita Gruberova (Gilda) / Neil Shicoff (The
Duke of Mantua) / Robert Lloyd (Sparafucile) / Brigitte Fassbaender (
Maddalena) / Kurt Rydl (Monterone) / Jean Rigby (Giovanna) / Armando Gabba (
Marullo) / William Matteuzzi (Borsa) / Geoffrey Moses (Ceprano & the
doorman)
- Chorus and Orchestra of the Accademia di Santa Cecilia, Rome / Norbet
Balatsch (chorus master) / Guido Guida (conductor's assistant) / Giuseppe
Sinopoli (conductor) / DDD 1984
¥¬¾|»¹¡G§Q¤àµÜ¦« / ®æ¾|¨©Ã¹«½¡G¦Nº¸¹F / §Æ¬_¤Ò¡G°Ò¹Ï¥Ë¤½Àï / ù§B¯S?³Ò®J¼w¡G
´µ©¬©Ô¤Ò©_§Q / ªkµ·»«¼w¡Gº¿¹FµÜ®R / ¬ì¯S?§Q¼w¡G»X¯SÀs / ¬Ã?·ç®æÍ¶¡G¦Nº¸¥Ë®R /
ªüº¸°Ò¦h?»\¤Ú¡G°¨¾|¬¥ / «Â·G?°¨¹Ï¯÷¡Gªiº¸ÂÄ / ³Ç¦ò·ç?¼¯¦è´µ¡G¦è¥¬Äõ¿Õݪù¤H
ù°¨¸t«´¦èùبȦX°Û¹Î¤Î¼Ö¹Î - «ü´§¡G¦è¿Õªi¸Ì
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Ultimate Verdi CD3: Il trovatore Highlights
¡i¹C§u¸Ö¤Hºë¿ï¤ù¬q¡j
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- Part 2. ²Ä¤G¹õ
01. Vedi! Le fosche notturne spoglie (Anvil Chorus) (Chorus of gypsies)
¬Ý§a¡I©]¹õ¤w´¦¶}(²³¦N´¶ÁɤH¦X°Û)
02. Stride la vampa! (Azucena)
ºµºµ¯P¤õ(ªü¯]©_®R)
Part 1. ²Ä¤@¹õ
03. Che pi? t'arresti? - Tacea la notte - Di tale amor (Leonora, Ines)
¤@Ó¹çÀRªº©]±ß - ¦¹¤ß¤£¯à¨¥ªí(µÜ¶ø¿Õ©Ô, ¥ì©`µ·)
Part 2. ²Ä¤G¹õ
04. Tutto ? deserto ... Il balen del suo sorriso (Count di Luna, Ferrando)
§A·L¯º®É©_§®ªº¥ú½÷(¾|¯Ç¤½Àï, ¶OÄõ¦h)
05. E deggio e posso crederlo (Leonora, Count, Manrico, Ruiz, Ines, Ferrando,
chorus)
ªY³ßY¨g, ´X¥G¤£¬Û«H¦oªº²´·ú(µÜ¶ø¿Õ©Ô, ¾|¯Ç¤½Àï, °Ò§Q¬ì, ¸ô©ö¯÷, ¥ì©`µ·, ¶OÄõ
¦h, ¦X°Û)
Part 3. ²Ä¤T¹õ
06. Squilli, echeggi la tromba guerriera (Chorus of soldiers)
§jÅT¸¹¨¤(²³¤h§L¦X°Û)
07. Quale d'armi ... Ah s?, ben mio (Leonora, Manrico)
°Ú¿Ë·RªºÅʤH(µÜ¶ø¿Õ©Ô, °Ò§Q¬ì)
08. L'onda de'suoni mistici ... Di quella pira (Leonora, Manrico, Ruiz)
¬Ý¨ººµºµªº¤õ¬W(µÜ¶ø¿Õ©Ô, °Ò§Q¬ì, ¸ô©ö¯÷)
09. Timor di me ... D'amor sull'ali rosee (Leonora)
·R±¡¼µÛª´ºÀªº¯Í»H(µÜ¶ø¿Õ©Ô)
Part 4. ²Ä¥|¹õ
10. Miserere (Leonora, Manrico, chorus)
¨D¥D««¼¦(µÜ¶ø¿Õ©Ô, °Ò§Q¬ì, ¦X°Û)
11. Madre, non dormi? (Manrico, Azucena)
¥À¿Ë§A¨S¤JºÎ¶Ü¡H(°Ò§Q¬ì, ªü¯]©_®R)
12. Un giorno (Azucena, Manrico)
¦³¤@¤Ñ(ªü¯]©_®R, °Ò§Q¬ì)
13. S?; la stanchezza m'opprime (Azucena, Manrico)
¬Oªº, §Úªº«Ä¤l, §Ú¤w¸g¯h¾Î¤£³ô(ªü¯]©_®R, °Ò§Q¬ì)
14. Che ... non m'inganna quel fioco lume ... (Manrico, Leonora, Azucena)
15. Ti scosta (Manrico, Leonora, Azucena, Count di Luna)
§AÂ÷¶}§a¡I(°Ò§Q¬ì, µÜ¶ø¿Õ©Ô, ªü¯]©_®R, ¾|¯Ç¤½Àï)
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- Katia Ricciarelli (Leonora) / Jose Carreras (Manrico) / Yuri Masurok (Count
di Luna) / Stefania Toczyska (Azucena) / Phyllis Cannan (Ines) / Robin
Leggate (Ruiz) / Robert Lloyd (Ferrando)
Orchestra & Chorus of the Royal Opera House, Covent Garden / John Barker (
chorus master) / Sir Colin Davis (conductor) / DDD 1980
ùØ«êÁ¢ÄR¡GµÜ¶ø¿Õ©Ô / ¥d¹p©Ô´µ¡G°Ò§Q¬ì / ¤×ùØ?°¨Ä¬Ã¹§J¡G¾|¯Ç¤½Àï / ´µ¸¦ªâ¥§¨È
?¦«³Ç´µ¥d¡Gªü¯]©_®R / µáÄRµ·?§¢«n¡G¥ì©`µ· / ù»«?¾ä¤à´£¡G¸ô©ö¯÷ / ù§B¯S?³Ò®J
¼w¡G¶OÄõ¦h
¬Ó®a¬ì¤å¯Sªá¶éºq¼@°|¼Ö¹Î¤Î¦X°Û¹Î - «ü´§¡G¬ìªL?¤j½Ã´µ
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Ultimate Verdi CD4: Aida Highlights
¡iªü¥ì¹Fºë¿ï¤ù¬q¡j
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Act 1. ²Ä¤@¹õ
01. Se quel querrier io fossi! ... Celeste Aida (Radam?s)
¦ýÄ@§Ú·|³Q¿ï¤¤¡K¡K¸t¼äªü¥ì¹F(©Ô¹F±ö´µ)
02. Or di Vulcano al tempio (The King, Ramfis, Aida, Radam?s, Amneris, chorus
of ministers and captains, chorus of priests)
¤õ¯«ªº¯«·µ(°ê¤ý, Äõµá´µ, ©Ô¹F±ö´µ, ªü©i¤ºÄRµ·, ¤j¦Ú¤Îx©x¦X°Û, ²³¨k²½¥q¦X°Û)
03. Ritorna vincitor! (Aida)
³Í±ÛÂk¨Ó(ªü¥ì¹F)
Act 2. ²Ä¤G¹õ
04. Gloria all'Egitto (Chorus of the people, Ramfis, chorus of priests)
ºaÄ£Âk©ó®J¤Î(²³¤H¦X°Û, Äõµá´µ, ²³¨k²½¥q¦X°Û)
05. Grand March & Ballet
¤j¶i¦æ¦±
06. Vieni, o guerriero vindice (Chorus of the people, Ramfis, chorus of
priests)
Åw©Iªï±µ³Í±Ûx(²³¤H¦X°Û, Äõµá´µ, ²³¨k²½¥q¦X°Û)
Act 3. ²Ä¤T¹õ
07. Qui Radam?s verr?! ... O patria mia (Aida)
®@§Úªº¬G¶m(ªü¥ì¹F)
08. Ciel! mio padre! (Aida, Amonasro)
¤Ñ¡I§Úªºª¨ª¨(ªü¥ì¹F, ªü²ö¯Ç´µÃ¹)
Act 4. ²Ä¥|¹õ
09. Gi? i sacerdoti adunansi (Amneris, Radam?s)
²½¥q̤w¸g·Ç³Æ¦n(ªü©i¤ºÄRµ·, ©Ô¹F±ö´µ)
10. Ohim?!...morir mi sento! Oh! chi lo salva? (Amneris, Ramfis, chorus of
priests)
«u§r¡I§Úı±o§Ú§Ö¦º¤F¡I½Ö¯à±Ï¥L©O¡H(ªü©i¤ºÄRµ·, Äõµá´µ, ²³¨k²½¥q¦X°Û)
11. Radam?s! Radam?s! Radam?s! (Ramfis, chorus of priests, Amneris)
©Ô¹F±ö´µ¡I©Ô¹F±ö´µ¡I©Ô¹F±ö´µ¡I(Äõµá´µ, ²³¨k²½¥q¦X°Û, ªü©i¤ºÄRµ·)
12. Presago il core della tua condanna (Aida, Radam?s, chorus of priests
and priestesses)
§Ú¤ßùؤw¹wª¾§AnµoÃø(ªü¥ì¹F, ©Ô¹F±ö´µ, ²³¨k¤k²½¥q¦X°Û)
13. O terra, addio (Aida, Radam?s, chorus of priests and priestesses,
Amneris)
¨þ¤j¦a, ¦A¨£, ³o²\¤§¨¦(ªü¥ì¹F, ©Ô¹F±ö´µ, ²³¨k¤k²½¥q¦X°Û, ªü©i¤ºÄRµ·)
-
- Plinio Clabassi (The King) / Rita Gorr (Amneris) / Leontyne Price (Aida)
/ Jon Vickers (Radam?s) / Giorgio Tozzi (Ramfis) / Robert Merrill (Amonasro)
Orchestra and Chorus of the Teatro dell'Opera, Rome / Giuseppe Conca (
chorus master) / Luigi Ricci, Ugo catania, Fernando Cavaniglia (assistant
conductor) / Sir Georg Solti (conductor) / ADD 1961
§J©Ô¤Ú§Æ¡G°ê¤ý / ¤àº¸¡Gªü©i¤ºÄRµ· / ´¶¿à´µ¡Gªü¥ì¹F / ºû§J´µ¡G©Ô¹F±ö´µ / ¦«»ô
¡GÄõµá´µ / ±ö·çº¸¡Gªü²ö¯Ç´µÃ¹
ù°¨ºq¼@°|¼Ö¹Î¤Î¦X°Û¹Î - «ü´§¡G¯Áº¸¸¦
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Ultimate Verdi CD5: La forza del destino Highlights
¡i©R¹Bªº¤O¶qºë¿ï¤ù¬q¡j
-
01. Overture §Ç¦±
Act 2. ²Ä¤G¹õ
02. Son giunta! ... Madre, Madre, pietosa Vergine (Leonora, chorus)
¤¯·Oªº¸t¥À(µÜ¶ø¿Õ©Ô, ¦X°Û)
03. Il santo nome di Dio Signore ... La Vergine degli angeli (Padre
guardiano, Fra Melitone, Leonora, chorus)
¦b¤Ñ¨Ï¸s¤¤ªº¸t¥Àµ£s¤k¨þ(¥Ê¸¦¨È¿Õ°|ªø, ±ö§Q¦«©`פh, µÜ¶ø¿Õ©Ô, ¦X°Û)
Act 3. ²Ä¤T¹õ
04. La vita ? inferno ... Oh, tu che in seno agl'angelii (Alvaro)
¥Í¬¡©M¦aº» - ¤Ñ¨Ï¯ëªºµÜ¶ø¿Õ©Ô(ð?ªü¥Ëù)
05. Solenne in quest'ora (Alvaro, Carlo)
³Ì«áªº«ô°U(ð?ªü¥Ëù, ð?¥d¬¥)
06. Urna fatale del mio destino (Carlo, a surgeon)
³oùئ³§Úªº©R¹B(ð?¥d¬¥, xÂå)
07. Rataplan, rataplan, rataplan! (Preziosilla, chorus)
©Ô¶ð´¶Äõ¤§ºq(´¶µÜ©_¶ø¦è©Ô, ¦X°Û)
Act 4. ²Ä¥|¹õ
08. Fratello ... Le minaccie, i fieri accenti (Alvaro, Carlo)
¥S§Ì¡K¡K®£À~§a, ¿E¯Pªº¨¥µü(ð?ªü¥Ëù, ð?¥d¬¥)
09. Pace, pace mio Dio! (Leonora)
¥D°Ú, ½Ð½ç©M¥(µÜ¶ø¿Õ©Ô)
10. Non imprecare (Padre guardiano, Leonora, Alvaro)
¤£¥i¶A©G(¥Ê¸¦¨È¿Õ°|ªø, µÜ¶ø¿Õ©Ô, ð?ªü¥Ëù)
-
- Renata Tebaldi (Donna Leonora) / Mario del Monaco (Don Alvaro) / Ettore
Bastianini (Don Carlo di Vargas) / Giulietta Simionato (Preziosilla) / Cesare
Siepi (Padre guardiano) / Fernando Corena (Fra Melitone) / Eraldo Coda (A
surgeon)
Orchestra and Chorus of the Accademia di Santa Cecilia, Rome / Bonaventura
Somma (chorus master) / Francesco Molinari-Pradelli (conductor) / ADD 1955
a¤Úº¸}¡GµÜ¶ø¿Õ©Ô / ²ö¯Ç¬ì¡Gð?ªü¥Ëù / ¤Ú´µ¸¦¦w¥§¥§¡Gð?¥d¬¥ / ¦è¦Ì¶ø¯Ç¦h¡G
´¶µÜ©_¶ø¦è©Ô / ¿ü®J¥Ö¡G¥Ê¸¦¨È¿Õ°|ªø / ¶Oº¸«n¦h?¬ìµÜ¯Ç¡G±ö§Q¦«©`פh / ¥ì©Ôº¸
¦h?¬ì¹F¡GxÂå
ù°¨¸t«´¦èùبȼֹΦX°Û¹Î - «ü´§¡G´¶©Ô¥NùØ
·¥P¡G®ã¬ì¤Ò´µ°ò¿ï¶° Ultimate Tchaikovsky, the essential masterpieces (5CD)
Ãö©óDECCAªº¡mUltimate¡n¨t¦C¡G
DECCA ¡mUltimate¡n¨t¦C¥]¬A¦h®M5CD¤@²Õªº¥DÃD¿ï¶°¡AµÛ«¦a¤¶²Ð¤F¦UӮɥNªº¤j®vÌ
³Ì¦³¼vÅT¤O¡B³Ì¼s¬°¬y¶Çªº¥j¨åµ¼Ö§@«~¡A¨ä¤¤¥]¬A¨©¦hªâ¡B¤Ú»®¡B¨v¨¹¡B®ã¥i¤Ò´µ°ò
¡B²ö¤ã¯S¡BµÎ§B¯Sµ¥ªº¥²Å¥¤§§@¡C¦¹¥~¡A¸Ó¨t¦CÁÙ¥H¤£¦PÅéµô§@¬°Ãþ§O¹º¤À¡A¥[¤J¤F¥j
¨å¤p´£µ^¡B¤j´£µ^¡B¿ûµ^¡B¿ûµ^¨ó«µ¦±¡B¥ð¶¢¥j¨å¡B¤Ú¬¥§J¡Bºq¼@µ¥¥DÃD¿ï¶°¡CÁöµM³o
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¤£¥¢¨å¶®¡C¸Ó¨t¦C¤ñ¸û¾A¦Xªì¯A¥j¨åµ¼ÖªºªB¤ÍªY½à¡B¦¬ÂáA³q¹L³o®M¤Jªù¯ÅªºCD¯à¹ï
¥j¨åµ¼Ö¦³¤@Ó°ò¥»ªº¡Bªì¨Bªº»{ª¾©MÁA¸Ñ¡C¦Ó¤w¬O¥j¨åµ¼Ö·R¦nªÌªº¼Ö¤Í¡A©Î³\¤]¯à
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¡i®ã¬ì¤Ò´µ°ò²¤¶¡j¡G
©¼±o?¥ìùØ©_?®ã¬ì¤Ò´µ°ò¡]Peter Ilitch Tchaikovsky¡A1840-1893¡^¡A«Xù´µ¾ú¥v¤W³Ì
°¶¤jªº§@¦±®a¡A«Xù´µ¥Á±Úµ¼Ö»P¦è¼Ú¥j¨åµ¼Öªº¶°¤j¦¨ªÌ¡C¤Q·³¶}©l¾Ç²ß¿ûµ^©M§@¦±
¡C1862¦~¤J©¼±o³ùµ¼Ö¾Ç°|¾Ç²ß§@¦±¡A²¦·~«áu²ö´µ¬ìµ¼Ö¾Ç°|¥ô±Ð¡C¥Lªºµ¼Ö°ò½Õ«Ø
¥ß¦b¥Áºq©M¥Á¶¡»RÁЪº°ò¦¤W¡A©Ò¥H¼Ö¦±¤¤§e²{¥X¿@¯Pªº¥Í¬¡®ð®§©M¥Á¶¡¯S¦â¡A¥LºD©ó
±Ä¥Î°_¥ñªº¬Û¹ï¥DÃD¡A§Q¥Îµ¼Ö§Î¶H¨Óªí²{¥Í¬¡¤¤¦UºØ¤ß²z©M·P±¡ª¬ºAªºµo®i©MºtÅܹL
µ{¡C±j¯Pªº¥Á±Ú·NÃÑ©M¥Á¥Dºë¯«³e¬ïµÛ¥L¥þ³¡ªº³Ð§@¬¡°Ê¡A¥L¥D±iµ¼Öªº¬ü¡A¬O«Ø¥ß¦b
¯u¹êªº¥Í¬¡©M²`¨èªº«ä·Q°ò¦¤Wªº¡A¦]¦¹¥Lªº§@«~¤@¦V¥H±Û«ßÀu¬ü¡A³q«U©öÀ´¦ÓµÛºÙ¡A
¤S¤£¥F²`¨è©Ê¡A¥Lªºµ¼Ö¬OªÀ·|ªº¯u¹ê¼g·Ó¡C³z¹L¥LªºÃÀ³N¬Ã«~¡A¤H̤£Ãøµo²{¥L¤£¶È
¬O²{¹ê¥D¸q©M®öº©¥D¸qµ²¦Xªº¨å½d¡A¦Ó¥B¬O¤@¦ì¤¸¾Õªø¥Hµ¼Ö´yø¤ß²z¬¡°Êªº¤j®v¡A±´
¯ÁµÛ¤H¥Íªº¶ø¯µ¡C
¥Lªº§@«~¤¤¡A«Ü¦h³£¬O·¥¨äÀu¨qªº¥@¬É¦W¦±¡A¦pºq¼@¡m¸¨j®Ú¥§?¶ø¯Iª÷¡n¡B¡m¶Â®ç¬Ó¦Z
¡nµ¥¡AªÝÁ¢»R¼@¡m¤ÑÃZ´ò¡n¡B¡mJ®ç§¨¤l¡n¡B¡mºÎ¬ü¤H¡n¡A©M¥æÅT¦±¡m²Ä¥|¥æÅT¦±¡n¡B
¡m²Ä¤¥æÅT¦±¡n¡B¡m´d·[¡]²Ä¤»¡^¥æÅT¦±¡n¡B¡m°B¤p½Õ²Ä¤@¿ûµ^¨ó«µ¦±¡n¡B¡mD¤j½Õ¤p
´£µ^¨ó«µ¦±¡n¡A¥H¤Î¥æÅT¸Ö¡mù±K¼Ú»P¯üÄR¸¡n¡Aµ¼Ö·|§Ç¦±¡m1812§Ç¦±¡nµ¥µ¥¡C
±M¿è¦±¥Ø:
CD1: Piano Concerto No.1 ? Violin Concerto
¡i¿ûµ^¨ó«µ¦±¤Î¤p´£µ^¨ó«µ¦±¡j
¡Ð
Piano Concerto No.1 in B flat minor, Op.23 ¡y²Ä¤@¿ûµ^¨ó«µ¦±, °B¤p½Õ, Op.23¡z
01. i. Allegro non troppo e molto maestoso - Allegro con spirito
02. ii. Andantino semplice
03. iii. Allegro con fuoco
¡Ð Rafael Orozco (piano) / Rotterdam Philharmonic Orchestra / Edo de Waart (
conductor) / ADD: 1974
¿ûµ^ºt«µ¡G¶ø¬¥´µ¬ì / ³À¯S¤¦·R¼Ö¼Ö¹Î / «ü´§¡G}µØ¯S
-
Violin Concerto in D major, Op.35 ¡y¤p´£µ^¨ó«µ¦±, D¤j½Õ, Op.35¡z
04. i. Allegro moderato
05. ii. Canzonetta: Andante
06. iii. Finale: Allegro vivacissimo
¡Ð Henryk Szeryng (violin) / Royal Concertgebouw Orchestra / Bernard
Haitink (conductor) / ADD: 1976
¤p´£µ^ºt«µ¡GÁÂÀM / ªü©i´µ¯S¤¦¬Ó®aµ¼ÖÆUºÞ©¶¼Ö¹Î / «ü´§¡G®ü§Ê§J
-
-
CD2: 1812 Overture ? Serenade for Strings ? Voyevoda ? Romeo and Juliet
¡i1812§Ç¦±, ©¶¼Ö¤p©]¦±, ¥q¥O©x, ù±K¼Ú»P¯üÄR¸¡j
01. Ouverture solennelle "1812," Op.49 ¡y1812¼y¨å§Ç¦±, Op.49(¦X°Ûª©)¡z
(Choral version edited by Andrew Cornall)
¡Ð Leningrad Military Orchestra, Nikolai Ushapovsky (conductor) / St
Petersburg Chamber Choir, Alexander Kazimirov (director), Nikolai Korniev (
conductor) / Bells & Cannon: the Peter and Paul Fortress in St Petersburg /
Shots fired by an artillery battery of the Leningrad Military District
¦C¹ç®æ°Çx¼Ö¹Î «ü´§¡G¯Q¨Fªy¤Ò´µ°ò / ¸t©¼¼w³ù«Ç¤º¦X°Û¹Î »â°Û¡G¥d¤°¦Ì¬¥¤Ò «ü´§
¡G¬ì¥§C¤Ò
ÄÁ¤Î¤j¬¶¥Ñ¸t©¼¼w³ù¥«©¼±o«Oùn¶ë´£¨Ñ / ¤õ¬¶¿U©ñ¡G¦C¹ç®æ°Çx°Ï¬¶§L¬Y³¡
-
Serenade for Strings in C, Op.48 ¡y©¶¼Ö¤p©]¦±, C¤j½Õ, Op.48¡z
02. i. Pezzo in forma di sonatina
03. ii. Waltz
04. iii. El?gie: Larghetto elegiaco
05. iv. Finale (Tema russo)
-
06. Voyevoda, Op.78 - ¡y¥q¥O©x, Op.78¡z
-
07. Romeo and Juliet - Fantasy Overture ¡yù±K¼Ú»P¯üÄR¸¡z(¤Û·Q§Ç¦±)
-
¡Ð St Petersburg Philharmonic Orchestra / Vladimir Ashkenazy (conductor) /
DDD: 1996
¸t©¼¼w³ù·R¼ÖºÞ©¶¼Ö¹Î / «ü´§¡Gªü¤°ªÖ¯ÇÀÙ
-
-
CD3: Ballet Suite Highlights
¡i»R¼@ºëµØ¡j
-
Swan Lake, Op.20 ¡m¤ÑÃZ´ò¡n
01. Sc?ne (Moderato) (Act 2: No.10) ¡y²Ä¤G¹õ¡G±¡´º¡z
02. Valse (Corps de Ballet) (Act 1: No.2) ¡y²Ä¤@¹õ¡G¶ê»R¦±¡z
03. Danse des petits cygnes (Allegro moderato) (Act 2: from No.13) ¡y²Ä¤G¹õ¡G
¤p¤ÑÃZ¤§»R¡z
04. Pas d'action - Tempo di valse (Act 2: from No.13) ¡y²Ä¤G¹õ¡G¤ÑÃZ¸s»R ¡Ð
¶ê»R¦±³t«×¡z
05. Danse hongroise (Cz?rd?s) (Act 3: No.20) ¡y²Ä¤T¹õ¡G¦I¤ú§Q»R¦±¡z
06. Sc?ne finale (Andante) (Act 4: from No.29) ¡y²Ä¥|¹õ¡G±¡´º²×¦±¡z
¡Ð Chantal Juillet (violin) / Guy Fouquet (cello)
-
The Nutcracker, Op.71 ¡mJ®ç§¨¤l¡n
07. Miniature Overture ¡y§Ç¦±¡z
08. Marche (Act 1, Scene 1: No.2) ¡y²Ä¤@¹õ²Ä¤@³õ¡G¶i¦æ¦±¡z
09. Dance of the Sugar Plum Fairy (Act 2: No.14, Var.2) ¡y²Ä¤G¹õ¡G¿}ªG¥P¤l¤§
»R¡z
10. Character Dances: Tr?pak (Russian Dance) (Act2: from No.12) ¡y´¡»R¡G¯S¹p
¤Ú§J¤§»R(«Xù´µ»R¦±)¡z
11. Character Dances: Coffee (Arabian Dance) (Act 2: from No.12) ¡y´¡»R¡G©@°Ø
(ªü©Ô§B»R¦±)¡z
12. Character Dances: Tea (Chinese Dance) (Act 2: from No.12) ¡y´¡»R¡G¯ù(¤¤°ê
»R¦±)¡z
13. Dance of the Mirlitons (Act 2: from No.12) ¡yĪ²Ã»R¦±¡z
14. Waltz of the Flowers (Act 2: No.12) ¡y²Ä¤G¹õ¡Gªá¤§¶ê»R¦±¡z
-
The Sleeping Beauty, Op.66 ¡mºÎ¬ü¤H¡n
15. Introduction (Prologue) ¡y¤Þ¤l(§Ç«µ)¡z
16. Pas de quatre (Act 3: No.23) ¡yªø¹u¿ß»P¥Õ¿ß¤§»R¡z
17. Pas de caract?re - Cendrillon et le prince Fortune (Act 3: No.26) ¡y¤p¬õ
´Uªº»RÁÐ ¡Ð ¦Ç©h®Q»P¤ý¤l¤§»R¡z
18. Pas de quatre: Adagio (Act 3: from No.25) ¡y¥|¤H»R¡z
19. Pas de deux: Adagio (Act 3: from No.28) ¡yÂĩԨ¹¼w»R¦±¡z
20. Finale: Allegro brillante (Mazurka) (Act 3: from No.30) ¡y²×¦±(º¿¯ª¥d»R¦±
)¡z
21. Finale: Apoth?ose (Andante molto maestoso) (Act 3: from No.30) ¡y²×¦±¡G¤j
¹Î¶ê¡z
-
¡Ð Orchestre Symphonique de Montr?al / Charles Dutoit (conductor) / DDD: 1991
(Op.20), 1992 (Op.71, Op.66)
»X¯S§Qº¸¥æÅT¼Ö¹Î / «ü´§¡G}¹Ï¥Ë
-
-
CD4: Symphony No.5 ? The Storm
¡i²Ä¤¥æÅT¦±, ¼É·«B§Ç¦±¡j
-
Symphony No.5 in E minor, Op.64 ¡y²Ä¤¥æÅT¦±, E¤p½Õ, Op.64¡z
01. I. Andante - Allegro con anima
02. II. Andante cantabile, con alcuna licenza - Moderato con anima
03. III. Valse: Allegro moderato
04. IV. Finale: Andante maestoso - Allegro vivace
-
05. Overture The Storm, Op.76 ¡y¼É·«B§Ç¦±, Op.76¡z
-
¡Ð Royal Concertgebouw Orchestra / Bernard Haintink (conductor) / ADD: 1974
(01-04), 1977 (05)
ªü©i´µ¯S¤¦¬Ó®aµ¼ÖÆUºÞ©¶¼Ö¹Î / «ü´§¡G®ü§Ê§J
-
-
CD5: Symphony No.6 "Path?tique" ? Francesca da Rimini
¡i²Ä¤»¥æÅT¦±(´d·[), ùئ̥§ªº¥±Äõ¤Á´µ¥d¡j
-
Symphony No.6 in B minor, Op.74 - "Path?tique" ¡y²Ä¤»¥æÅT¦±(´d·[), B¤p½Õ,
Op.74¡z
01. i. Adagio - Allegro non troppo
02. ii. Andante con grazia
03. iii. Allegro molto vivace
04. iv. Finale: Adagio lamentoso
-
05. Francesca da Rimini, Op.32 ¡yùئ̥§ªº¥±Äõ¤Á´µ¥d, Op.32¡z
-
¡Ð Orchestre Symphonique de Montr?al / Charles Dutoit (conductor) / DDD: 1988
(05), 1990 (01-04)
»X¯S§Qº¸¥æÅT¼Ö¹Î / «ü´§¡G}¹Ï¥Ë
¤Ú«¢¿ï¶° Ultimate Bach, the essential masterpieces (5CD)
Ãö©óDECCAªº¡mUltimate¡n¨t¦C¡G
DECCA ¡mUltimate¡n¨t¦C¥]¬A¦h®M5CD¤@²Õªº¥DÃD¿ï¶°¡AµÛ«¦a¤¶²Ð¤F¦UӮɥNªº¤j®vÌ
³Ì¦³¼vÅT¤O¡B³Ì¼s¬°¬y¶Çªº¥j¨åµ¼Ö§@«~¡A¨ä¤¤¥]¬A¨©¦hªâ¡B¤Ú«¢¡B¨v¨¹¡B®ã¥i¤Ò´µ°ò
¡B²ö¤ã¯S¡BµÎ§B¯Sµ¥ªº¥²Å¥¤§§@¡C¦¹¥~¡A¸Ó¨t¦CÁÙ¥H¤£¦PÅéµô§@¬°Ãþ§O¹º¤À¡A¥[¤J¤F¥j
¨å¤p´£µ^¡B¤j´£µ^¡B¿ûµ^¡B¿ûµ^¨ó«µ¦±¡B¥ð¶¢¥j¨å¡B¤Ú¬¥§J¡Bºq¼@µ¥¥DÃD¿ï¶°¡CÁöµM³o
Ó¨t¦C¤¤¬Y¨Ç¿ï¦±ªº¿ýµ¦~¥÷¦³¨Ç¤[»·¡A¦ýºtöªÌ¤¤¤£¥F©v®v¯Åªº¤Hª«¡A¬GªY½à»ùȤ]
¬O»á°ªªº¡C¥þ¨t¦C¥ÑÀô²y¤½¥q¤UÄݪº¼w°êEDCÀ£¤ù¥Í²£¡A«~½èÀu¨}¡A¦Ó«Ê±³]p«h²¬ù¦Ó
¤£¥¢¨å¶®¡C¸Ó¨t¦C¤ñ¸û¾A¦Xªì¯A¥j¨åµ¼ÖªºªB¤ÍªY½à¡B¦¬ÂáA³q¹L³o®M¤Jªù¯ÅªºCD¯à¹ï
¥j¨åµ¼Ö¦³¤@Ó°ò¥»ªº¡Bªì¨Bªº»{ª¾©MÁA¸Ñ¡C¦Ó¤w¬O¥j¨åµ¼Ö·R¦nªÌªº¼Ö¤Í¡A©Î³\¤]¯à
±q¤¤§ä¨ì¤@¨Ç¦Û¤v¥i¯àÁÙ¨S¦³Å¥¹Lªººtöª©¥»¡C
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¬ù¿«?¶ë¤Ú´µ¸¦¦w?¤Ú«¢¡]J.S.Bach¡^
¬ù¿«?¶ë¤Ú´µ¸¦¦w?¤Ú«¢ªº¯ª¤÷´N¬O¤@¦ìµ¼Ö®a¡A¥Lªº¤÷¿Ë¤]¬O¤@¦ìµ¼Ö®a¡A¥L¦Û¥®¥Í¬¡
¦b¨}¦nªºµ¼ÖÀô¹Ò¤¤¡C¥Lªºôô¬O¤]¤@¦W¥X¦âªººÞ·µ^¤â¡A´¿±Ð¤Ú«¢¾Ç²ßµ¼Ö¡C¤Ú«¢¤G
¤Q¤G·³®É»P¨äªí©fº¿§Q¨Èµ²±B¡A¦@¥Í¤U¤F¤CӫĤl¡Fº¿§Q¨È¥h¥@«á¡A¤Ú«¢¦P¤kºq°Û®a¦w
®R?º¿®æ¹FÁ¢®Rµ²±B¡A¤S¥Í¤U¤Q¤TӫĤl¡C¤Ú«¢ªº¤l¤k¦@¦³¤E¤Hªø¤j¦¨¤H¡A¨ä¤¤´N¦³¤TÓ
«Ä¤lÄ~©Ó¤÷·~¡A¦¨¬°«Ü¦³¼vÅTªºµ¼Ö®a¡C¥Lªº¦¸¤l¥dº¸?µá¤O´¶?¤Ú«¢¡]C.P.E.Bach¡^ªø
´Á©~¦í©óº~³ù¡A³QºÙ¬°¡uº~³ù¤Ú«¢¡v¡F²Ä¤TÓ¨à¤l¬ù¿«?§J§Q´µ¸¦¦w?¤Ú«¢¡]J.C.Bach¡^
ªø´Á©~¦í©óÛ´°¡A³QºÙ¬°¡uÛ´°¤Ú«¢¡v¡A¥L̦bµ¼Ö¥v¤W³£«Ü¦³¦a¦ì¡A¹ï®ü¹y¡B¨©¦hªâ
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DISK1¡G
1. Brandenburg Concerto No1 in F, BWV1046 - 1. Allegro ²Ä¤@«kÄõµn³ù¨ó«µ¦±¢¹§Ö
ªO
ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in
the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
2. Brandenburg Concerto No1 in F, BWV1046 - 2. Adagio ²Ä¤@«kÄõµn³ù¨ó«µ¦±¢º¬X
ªO
ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in
the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
3. Brandenburg Concerto No1 in F, BWV1046 - 3. Allegro ²Ä¤@«kÄõµn³ù¨ó«µ¦±¢»§Ö
ªO
ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in
the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
4. Brandenburg Concerto No1 in F, BWV1046 - 4. Menuet - Trio - Polonaise ²Ä¤@
«kÄõµn³ù¨ó«µ¦±¢¼¤p¨B»R¦± ¤¤¬q ªiù¤D¯÷ªiÄõ»R¦±
ÃÀ³N®a©M¼Ö¶¤¡GCarl Pini (Violin) ¥dº¸?¥Ö¥§ ¤p´£µ^ Academy of St. Martin in
the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
5. Brandenburg Concerto No2 in F, BWV1047 - 1. Allegro ²Ä¤G«kÄõµn³ù¨ó«µ¦±¢¹§Ö
ªO
ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy
of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
6. Brandenburg Concerto No2 in F, BWV1047 - 2. Andante ²Ä¤G«kÄõµn³ù¨ó«µ¦±¢º¦æ
ªO
ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy
of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
7. Brandenburg Concerto No2 in F, BWV1047 - 3. Allegro assai ²Ä¤G«kÄõµn³ù¨ó«µ
¦±¢»«Ü§Öªº§ÖªO
ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy
of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
8. Brandenburg Concerto No3 in G, BWV1048 - 1. Allegro ²Ä¤T«kÄõµn³ù¨ó«µ¦±¢¹§Ö
ªO
ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
9. Brandenburg Concerto No3 in G, BWV1048 - 2. Adagio ²Ä¤T«kÄõµn³ù¨ó«µ¦±¢º¬X
ªO
ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
10. Brandenburg Concerto No3 in G, BWV1048 - 3. Allegro ²Ä¤T«kÄõµn³ù¨ó«µ¦±¢»
§ÖªO
ÃÀ³N®a©M¼Ö¶¤¡GAcademy of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
DISK2¡G
1. Brandenburg Concerto No4 in G, BWV1049 - 1. Allegro ²Ä¥|«kÄõµn³ù¨ó«µ¦±¢¹§Ö
ªO
ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy
of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
2. Brandenburg Concerto No4 in G, BWV1049 - 2. Andante - 3. Presto ²Ä¥|«kÄõµn
³ù¨ó«µ¦±¢º¦æªO¢»«æªO
ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy
of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
3. Brandenburg Concerto No5 in D, BWV1050 - 1. Allegro ²Ä¤«kÄõµn³ù¨ó«µ¦±¢¹§Ö
ªO
ÃÀ³N®a©M¼Ö¶¤¡GHenryk Szeryng (1918-1988)(Violin) ¦ëùاJ?ÁÂÀM ¤p´£µ^ Academy
of St. Martin in the Fields ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î
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5. Brandenburg Concerto No5 in D, BWV1050 - 3. Allegro ²Ä¤«kÄõµn³ù¨ó«µ¦± ¢»
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6. Brandenburg Concerto No6 in B flat, BWV1051 - 1. (Ohne Satzbezeichnung) ²Ä
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Arthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^
Herman Krebbers (1923-)(Violin) »®º¸°Ò?§J¦C§B´µ ¤p´£µ^
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Orchestra ·sÛ´°·R¼ÖºÞ©¶¼Ö¹Î
«ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S
1. Violin Concerto No1 in A minor, BWV1041 - 1. Allegro moderato ²Ä¤@¤p´£µ^¨ó
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Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î
«ü´§®a¡GArpad Gerecz ªü©¬¼w?³Ç·ç¯÷
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ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les
Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î
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4. Violin Concerto No2 in E, BWV1042 - 1. Allegro ²Ä¤G¤p´£µ^¨ó«µ¦±¢¹§ÖªO
ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les
Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î
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5. Violin Concerto No2 in E, BWV1042 - 2. Adagio ²Ä¤G¤p´£µ^¨ó«µ¦±¢º¬XªO
ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Les
Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î
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6. Violin Concerto No2 in E, BWV1042 - 3. Allegro assai ²Ä¤G¤p´£µ^¨ó«µ¦±¢»¬Æ
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Solistes Romands ·ç¤h®öº©¿W«µ®a¼Ö¹Î
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7. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV1043 - 1.
Vivace Âù¤p´£µ^¨ó«µ¦±§@«~¤@¹s¥|¤T¢¹§Ö¦Ó¬¡¼â
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9. Concerto for 2 Violins, Strings, and Continuo in D minor, BWV1043 - 3.
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ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^ Herman
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10. Concerto for Violin, Oboe, and Strings in D minor, BWV1060 - 1. Allegro
¤p´£µ^»PÂù®ºÞ¨ó«µ¦±§@«~¤@¹s¤»¹s¢¹§ÖªO
ÃÀ³N®a©M¼Ö¶¤¡GArthur Grumiaux (1921-1986)(Violin) ¨È·æ?®æÃ¹¦Ì¼Ú ¤p´£µ^
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Orchestra ·sÛ´°·R
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11. Concerto for Violin, Oboe, and Strings in D minor, BWV1060 - 2. Adagio ¤p
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Orchestra ·sÛ´°·R
«ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S
12. Concerto for Violin, Oboe, and Strings in D minor, BWV1060 - 3. Allegro
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Orchestra ·sÛ´°·R
«ü´§®a¡GEdo de Waart (1941-) ¦ã¦h?¼w?¥Ë¯S
DISK4¡G
1. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Aria -
Variations 1-5 ¤T¤Qºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ µú¼Û½Õ ÅÜ«µ¤@¦Ü¤
2. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 6-
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3. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 11-15
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5. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 21-25
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6. Aria mit 30 Ver?nderungen, BWV988 'Goldberg Variations' - Variations 26-30
- Aria ¤T¤Qºµú¼Û½Õ»PÅÜ«µ¦±¡]¤à¼w³ùÅÜ«µ¦±¡^ ÅÜ«µ¤G¤»¦Ü¤T¤Q µú¼Û½Õ
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4. Fugue in G minor, BWV578 'The Little' ºÞ·µ^¤p½á®æ¦±
5. Herz und Mund und Tat und Leben Cantata, BWV147 - Arr. Virgil Fox -
Jesu, Joy of Man's Desiring ±d¶ð¶ð²M°Û¼@ ¥H¤ß ¥H·N ¥H¤f»P¥Í©R ºû¦Nº¸?ºÖ§J´µ§ï
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9. Prelude and Fugue in A minor, BWV543 - 1. Prelude ºÞ·µ^«e«µ¦±»P½á®æ¢¹«e«µ
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11. Liebster Jesu, wir sind hier, BWV373 ²³Ægºq«e«µ¦± ³Ì¿Ë·RªºC¿q §ÚÌ´N¦b³o
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12. Cantate No29 'Wir danken dir, Gott, wir danken dir', BWV29 - Arr. Carlo
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13. Concerto for Harpsichord, Strings, and Continuo No5 in F minor, BWV1056 -
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14. Cantata, BWV129 'Gelobet sei der Herr, mein Gott' - Arr. Curley - Awake
thou wintry earth ±d¶ð¶ð²M°Û¼@ ¹|´§Ú¥D ¥d¬¥?¬_§Q§ï½s ¿ô¨Ó§a ´H¥V¤j¦a
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CD1. Vivaldi: The Four Seasons ¡mºû¥Ëº¸²Ä¡G¤p´£µ^¨ó«µ¦±, ¡u¥|©u¡v¡n
Concerto for Violin and Strings in E, Op.8, No.1, R.269 "La Primavera"
¡mE¤j½Õ¨ó«µ¦±, ¡u¬K¡v, §@«~¤K¤§1, R.269¡n
01. - i. Allegro
02. - ii. Largo
03. - iii. Allegro (Danza pastorale)
Concerto for Violin and Strings in G minor, Op.8, No.2, R.315 "L'estate"
¡mG¤p½Õ¨ó«µ¦±, ¡u®L¡v, §@«~¤K¤§2, R.315¡n
04. - i. Allegro non molto - Allegro
05. - ii. Adagio - Presto - Adagio
06. - iii. Presto (Tempo impetuoso d'estate)
Concerto for Violin and Strings in F, Op.8, No.3, R.293 "L'autunno"
¡mF¤j½Õ¨ó«µ¦±, ¡u¬î¡v, §@«~¤K¤§3, R.293¡n
07. - i. Allegro (Ballo, e canto de' villanelli)
08. - ii. Adagio molto (Ubriachi dormienti)
09. - iii. Allegro (La caccia)
Concerto for Violin and Strings in F minor, Op.8, No.4, R.297 "L'inverno"
¡mF¤p½Õ¨ó«µ¦±, ¡u¥V¡v, §@«~¤K¤§4, R.297¡n
10. - i. Allegro non molto
11. - ii. Largo
12. - iii. Allegro
Concerto for Violin and Strings in E flat, Op.8, No.5 , RV 253 "La tempesta
di mare"
¡m°E¤j½Õ¨ó«µ¦±, ¡u¤j®ü·¼É¡v, §@«~¤K¤§5, RV 253¡n
13. - i. (Allegro e) presto
14. - ii. Largo
15. - iii. Presto
Concerto for Violin and Strings in C, Op.8, No.6, R.180 "Il pia cere"
¡mC¤j½Õ¨ó«µ¦±, ¡u´r®®¡v, §@«~¤K¤§6, R.180¡n
16. - i. Allegro
17. - ii. Largo e cantabile
18. - iii. Allegro
Mariana Sirbu (violin) / Shizuko Noiri (lute) / Francesco Buccarella (
harpsichord) / I Musici / DDD: 1996
¤p´£µ^¡Gº¿ÄR¦w®R?®uº¸¥¬ / ¾|¯Sµ^¡G³¥¤J§Ó¬z¤l / ¤jÁäµ^¡GªkÄõ¦è´µ¬ì?¤Ú¥iµÜ©Ô
/ µ¼Ö¦X«µ¹Î
CD2. Pachelbel ? Albinoni ? Bach ? Boccherini ? Handel ¡m©¬»®¨©º¸, ªüº¸¤ñ¿Õ¥§
, ¤Ú»®, Àj³ÍùØ¥§, ¦ë¼wº¸¡n
01. Pachelbel: Canon in D major *
©¬»®¨©º¸¡GD¤j½Õ¥d¹A
02. Pachelbel: Gigue in D major **
©¬»®¨©º¸¡GD¤j½Õ¦N®æ»R¦±
03. Albinoni (arr. Giazotto): Adagio for Strings and Organ in G minor
ªüº¸¤ñ¿Õ¥§(¸ë¦õ¦«§ï½s)¡GG¤p½Õ¬XªO
04. J.S. Bach: Jesu, Joy of Man's Desiring (Herz und Mund und Tat und
Leben, Cantata BWV 147) *
¤Ú»®¡GC¿q, ¥@¤HÅw´rªº´Á«Ý(±d¶ð¶ð, BWV 147)
05. J.S. Bach: Sheep May Safely Graze (Was mir behagt, ist nur die muntre
Jagd, Cantata BWV 208) *
¤Ú»®¡G¦Ï¨à·|¦w¹ç¦a¦Y¯ó(±d¶ð¶ð, BWV 208)
06. J.S. Bach: Air on the G string (Suite No.3 in D, BWV 1068)
¤Ú»®¡GG©¶¤Wªºµú¼Û½Õ(D¤j½Õ²Ä¤T²Õ¦±, BWV 1068)
07. J.S. Bach: Fugue [Prelude (Fantasy) and Fugue in G minor, BWV 542 - "
Great"] *
¤Ú»®¡G¤j½á®æ(G¤p½Õ¤Û·Q¦±»P½á®æ, BWV 542)
08. Boccherini: Minuet from String Quintet in E, Op.13, No.5
Àj³ÍùØ¥§¡G¤p¨B»R¦±(E¤j½Õ²Í¼Ö¥|««µ, §@«~¤Q¤T¤§5)
09. Hoffstetter (attr. Haydn): Senerade (String Quartet in F major, Op.3,
No.5)
ÀN¤Ò´µ®õ¯S¡G¤p©]¦±(F¤j½Õ²Í¼Ö¥|««µ, §@«~¤T¤§5)
10. Handel: Musette: Larghetto (Concerto grosso in G minor, Op. 6, No. 6)
¦ë¼wº¸¡G·²Ã»R¦± - ¤p¼sªO(G¤p½Õ¤j¨ó«µ¦±, §@«~¤»¤§4)
11. Handel: The Arrival of the Queen of Sheba (Act 3, Solomon HWV 67)
¦ë¼wº¸¡G®u¤Ú¤k¤ý¾rÁ{(¡m©Òùªù¡n²Ä¤T¹õ, HWV 67)
Handel: Organ Concerto No.4 in F, Op.4 No.4 HWV 292
¦ë¼wº¸¡GF¤j½ÕºÞ·µ^¨ó«µ¦±, §@«~¥|¤§4, HWV 292
12. - Allegro
13. - Andante
14. - Adagio - Allegro
Ulrich Bremsteller (organ)
ºÞ·µ^ºt«µ¡G¼Ú§Q§J?¥¬®Ô©i´µ®õ°Ç
15. Handel: Overture (Berenice)
¦ë¼wº¸¡G§Ç¦±(¨©¹p¥§´µ)
(arr. M?nchinger*; Seiffert**)
Stuttgarter Kammerorchester / Karl M?nchinger (conductor) / ADD: 1967, 1978
´µ¹Ï¥[¯S«Ç¤º¼Ö¹Î / «ü´§¡G¥dº¸?©ú¿³®æº¸
CD3. Handel: Music for the Royal Fireworks ? Water Music ¡m¦ë¼wº¸¡G¬Ó®aµK¤õµ
¼Ö, ¤ô¤Wµ¼Ö¡n
Music for the Royal Fireworks: Suite HWV 351
¡m¬Ó®aµK¤õµ¼Ö²Õ¦±, HWV 351¡n
01. - i. Ouverture
02. - ii. Bourr?e
03. - iii. La Paix
04. - iv. La r?jouissance
05. - v. Menuet I-II
Water Music Suite No.1 in F major, HWV 348
¡m¤ô¤Wµ¼Ö¡GF¤j½Õ²Ä¤@²Õ¦±, HWV 348¡n
06. - i. Ouverture (Grave - Allegro - Adagio e staccato)
07. - ii. Allegro-Andante-Allegro
08. - iii. Passepied
09. - iv. Air
10. - v. Bourr?e
11. - vi. Allegro
12. - vii. Hornpipe
13. - viii. Menuet
Water Music Suite No.3 in G major, HWV 350
¡m¤ô¤Wµ¼Ö¡GG¤j½Õ²Ä¤T²Õ¦±, HWV 350¡n
14. - i. Sarabande
15. - ii. Rigaudon
16. - iii. Menuet I-II
17. - iii. Gigue I-II
Water Music Suite No.2 in D major, HWV 349
¡m¤ô¤Wµ¼Ö¡GD¤j½Õ²Ä¤T²Õ¦±, HWV 349¡n
18. - i. Allegro
19. - ii. Hornpipe
20. - iii. Lentement
21. - iv. Bourr?e
22. - v. Menuet
Leslie Pearson (harpsichord) / English Chamber Orchestra / Raymond Leppard (
conductor) / ADD: 1970, 1972
¤jÁäµ^¡GµÜ´µ§Q?¥Öº¸´Ë / ^°ê«Ç¤º¼Ö¹Î / «ü´§¡G¹p»X¼w?µÜ©¬¼w
CD4. J.S. Bach: Four Orchestral Suites ¡m¤Ú»®¡G¥|º¼Ö¶¤²Õ¦±¡n
Suite No.1 in C major, BWV 1066
¡mC¤j½Õ²Ä¤@²Õ¦±, BWV 1066¡n
01. - i. Ouverture
02. - ii. Courante
03. - iii. Gavotte I & II
04. - iv. Forlane
05. - v. Menuet I & II
06. - vi. Bourr?e I & II
07. - vii. Passepied I & II
Suite No.2 in B minor, BWV 1067
¡mB¤p½Õ²Ä¤G²Õ¦±, BWV 1067¡n
08. - i. Ouverture
09. - ii. Rondeau
10. - iii. Sarabande
11. - iv. Bourr?e I-II
12. - v. Polonaise
13. - vi. Menuet - vii. Badinerie
William Bennett (flute)
ªø²Ãºt«µ¡G«Â·G?¯Z¥§¯S
Suite No.3 in D major, BWV 1068
¡mD¤j½Õ²Ä¤T²Õ¦±, BWV 1068¡n
14. - i. Ouverture
15. - ii. Air
16. - iii. Gavotte I-II
17. - iv. Bourr?e - v. Gigue
Suite No.4 in D major, BWV 1069
¡mD¤j½Õ²Ä¥|²Õ¦±, BWV 1069¡n
18. - i. Ouverture
19. - ii. Bourr?e I-II
20. - iii. Gavotte
21. - iv. Menuet I-II
22. - v. R?jouissance
Thurston Dart (continuo) / Academy of St Martin in the Fields / Sir Neville
Marriner (conductor) / ADD: 1971
·æ´µ¹y?¹F¯S¡G³q«µ§Cµ / ¸t°¨¤B¾Ç°|«Ç¤º¼Ö¹Î / «ü´§¡G¤ººûº¸?°¨¸Ì¯Ç
CD5. Giuliani ? Vivaldi: Guitar Concertos ¡m¦¶ùبȥ§, ºû¥Ëº¸²Ä¡G¦N¥L¨ó«µ¦±¡n
Giuliani: Guitar Concerto No.1 in A major, Op.30 *
¡m¦¶ùبȥ§¡GA¤j½Õ²Ä¤@¦N¥L¨ó«µ¦±¡n
01. - i. Allegro maestoso
02. - ii. Andante sicilliano
03. - iii. Alla polacca
Vivaldi: Concerto for Lute, 2 Violins and Continuo in D, RV.93
(arr. for guitar & chamber orchestra by Malipiero) **
¡mºû¥Ëº¸²Ä¡G¬°¾|¯Sµ^, Âù¤p´£µ^©M³q«µ§Cµ¦Ó§@ªºD¤j½Õ¨ó«µ¦±, §@«~RV.93¡n
(¥Ñ°¨§Q¥ÖCù§ï½s¬°¦N¥L»P©¶¼Öºt«µªº¨ó«µ¦±)
04. - i. Allegro giusto
05. - ii. Largo
06. - iii. Allegro
Vivaldi: Concerto for Viola d'amore, Lute, Strings and Continuo in D minor
, RV.540
(arr. for guitar & viola d'amore by Malipiero) **
¡mºû¥Ëº¸²Ä¡G¬°§ç±¡ºû¶øº¸µ^, ¾|¯Sµ^, ©¶¼Ö¤Î³q«µ§Cµ¦Ó§@ªºD¤p½Õ¨ó«µ¦±, RV.540¡n
(¥Ñ°¨§Q¥ÖCù§ï½s¬°¦N¥L»P§ç±¡ºû¶øº¸µ^ºt«µªº¨ó«µ¦±)
07. - i. Allegro
08. - ii. Largo
09. - iii. Allegro
Norbert Blume (viola d'amore)
§ç±¡ºû¶øº¸µ^¡G¿Õ§B¯S?¥¬¬y©i
Vivaldi: Sonata for Lute, Violin and Continuo, RV.82
(arr. for guitar & chamber orchestra by Pujol) ?
¡mºû¥Ëº¸²Ä¡G¬°¾|¯Sµ^, ¤p´£µ^»P³q«µ§Cµ¦Ó§@ªº«µ»ï¦±, RV.82¡n
(¥Ñ´¶ÀNº¸§ï½s¬°¦N¥L»P«Ç¤º¼Ö¶¤ºt«µªº¨ó«µ¦±)
10. - i. Allegro non molto
11. - ii. Larghetto
12. - iii. Allegro
Paganini: Guitar Sonata in A major
¡m©¬®æ¥§¥§¡GA¤j½Õ¦N¥L«µ»ï¦±¡n
13. - i. Allegro risoluto
14. - ii. Romanza: Pi? tosto largo. Amorosamente
15. - iii. Andantino Variato. Scherzando
(arr. Garigi*, Malipiero**, Pujol?)
-
- Eduardo Fernandez (guitar) / English Chamber Orchestra / George Malcolm (
conductor) / DDD: 1985, 1987
¦N¥L¡G·R¼w¥Ëº¸¦h?¶Oº¸«n¼w´µ / ^°ê«Ç¤º¼Ö¹Î / «ü´§¡G³ìªv?ÁÚ¦Ò©i
XYZ STUDIO ±j¤O±ÀÂË¡I¡I¡I¤@©wÅý§AȦ^²¼»ù¡A«OÃÒ¿ù¤£¤F¡C
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